Monday, October 27, 2014

More Notes from CCMWG's Write Direction Conference: Writing Nonfiction with Mary Horner

Here is the second installment of my notes from the CCMWG's Write Direction conference earlier this month. 

Mary Horner  is a multi-published, award-winning writer and college teacher who gave a thoughtful and informative session on “Writing Nonfiction.”

Here are some of the notes I jotted down during Mary's presentation:

Nonfiction is based on someone's truth. It is factual but can also be emotional. Variety is what makes writing nonfiction wonderful.

According to Mary, the secret of selling nonfiction is:

* Give editors what they want
* Read the publication before submitting
* Approach editors with an idea (2 or 3 are better)
* If it's something you're interested in, that's even better
* Your passion will come through if you care about your topic
* Ask the editor for an idea if your suggested ideas fail
* Submit clean, well organized, and researched copy
* Stay focused; it's more than the writing itself, it's the framework

Possible topics: What do you love? What do you hate? What are your pet peeves?

Make connections to your feelings so your passion comes through.

What do you know?
What do you want to know?
Next comes research (to fill the gap between what you know and want to know)

Mary's three-step process:
Make an outline – gather lots of info
Visit the library – ask  research librarians for assistance; they have access to databases not available to writers
Ask experts -- they are usually flattered you ask!

Word of caution: Research can be a time waster so set limits.

Credibility is believability.
Make sure your sources, especially from the Internet, are reliable.
Be sure to cite your research and copy url onto the work-in-progress document for future reference.
Always verify. If in doubt, leave it out.

One of Mary's favorite humorous quotes from the Internet is:
"85% of the quotes on the Internet are made up." (Abe Lincoln)

The framework for your nonfiction should be logical and easy to follow.

The thesis statement basically asks the question: What do I believe to be true?

Don't be afraid to make changes if what you discover during research conflicts with what you think you know.

Ask yourself:
What is true?
Why do I believe it?
What do I believe about it?

Mary shared this quote, “If there is no discovery for the writer, there is also no discovery for the reader.”

Narrow focus makes the difference.

Mary uses symbols in the margins of her paragraphs to help organize her works in progress.

Editors appreciate it when writers add a little something extra (a sidebar, thoughtful quotes, photographs, or illustrations).

If you would like to learn more about Mary’s thoughts on writing nonfiction, I recommend reading her book, “Strengthen your Nonfiction Writing.


Tuesday, October 21, 2014

Notes from CCMWG Keynote Address by Terry Allen on Film Noir

During the keynote presentation, Terry Allen showed film clips to demonstrate the points he made and to complement his lecture on film noir.

Here are a few things I learned:

Film Noir is French for black film.

Hollywood’s classical film noir period was in the 1940s-1950s, notably when G.I.s returned home from World War II.

Before that period, in the 1920s and 1930s, German film makers created German Expressionism films, which combined elements of film noir with horror.

The neo-noir period is the 1970s, with films such as “Chinatown” and “Blade Runner”

This year’s “True Detective”was also mentioned as an example of the genre.

Film Noir movies have a range of plots from the P.I to the fall guy.

Hard-boiled pulp novels like The Big Sleep by Raymond Chandler, with first person narrative, were mentioned as books that were made into film noir movies.

The real star of film noir is Fate.

The message is: There’s something dark out there.

The question is: Why me?

And there’s no good answer at all.

FN relies on the importance of dialogue and style. Everything has a purpose.

Key elements are: mood, tone, style, and moral ambiguity.

Text and subtext contribute to the total package, as does the music and background.

Another element is the Femme Fatale – the fatal woman or black widow who lures the good guy out of the sunshine into the shadows and causes him to do something he might not otherwise do.

One example given was how Barbara Stanwyck manipulated Fred McMurray to murder her husband in “Double Indemnity.”

This element of femme fatale in movies (and novels and short stories) brought back something my dad used to say when he read or heard about a decent guy who acted out of character and did something stupid or wrong. Dad would shake his head and say, “Cherchez la femme,” which he told me meant, “Find the woman.”

As a writer, my take-away from the film noir session is the need for consistency in dialogue, tone, mood, and style.

This session also brought to mind what Edgar Allen Poe wrote about the importance of the “unity of effect” in short stories. Everything in a story, from the title to the character name, the mood, the tone, and the individual words should combine to create a consistent effect of the piece.

Are you a fan of film noir? Do you have any favorite movies or novels to recommend?

Monday, October 20, 2014

Giveaway and Call for Submissions for Well Versed 2015

Well Versed 2009
Last Saturday I attended the Columbia Chapter of the Missouri Writers' Guild annual Write Direction Conference in Columbia, MO. It was an inspiring and informative event--and extremely well run and affordable!

Over the next few posts I'm going to share some notes I took during the conference, but today I have a call for submissions and a giveaway!

One important announcement during the event was a reminder about the CCMWG's call for submissions for their annual award-winning Well Versed anthology.

The anthology accepts submissions of fiction, nonfiction, poetry, and new this year--flash fiction. Members of CCMWG may enter for free. Nonmembers may enter for a modest fee.

You can find complete guidelines for the 2015 anthology at the link. Deadline is November 15, 2014.

Entries are judged independently by guest judges (for fiction, nonfiction, and poetry) who select winners in each category and make recommendations for other submissions to be included in the anthology. The judges select the top choices to receive monetary prizes. All entries selected for inclusion in the anthology receive one contributor's copy, plus a payment of $1 for each piece included.

During the conference, attendees were encouraged to take free copies of past anthologies. Of course, I took advantage of that generous offer.

To carry on the CCMWG spirit of generosity, I'm giving away a copy of Well Versed that I picked up at the conference. The 2009 issue of Well Versed (pictured above) includes a foreword from Walter Bargen, Missouri's first poet laureate, who served as poetry judge for that issue.

For a chance to win a copy of the 2009 anthology shown above, leave a comment with your name here by October 31. I will select one winner and announce the name the beginning of next month.

Wednesday, October 8, 2014

News from AKA Publishing/Compass Flower Press

AKA Publishing/Compass Flower Press has announced the release of its first anthology, Uncertain Promise: An Anthology of Short Fiction and Non Fiction, edited by Von Pittman.

Among the contents of the anthology are these winning entries: 


• First Place: “Body Language” David G. Collins, Fulton, MO

• Second Place: “Our Ventana” Mary Pacifico Curtis, San Jose, CA
• Third Place (Tie): “Ballerina” Sally Whitney, Millersville, MD and“The Broom” Marlene Lee, Columbia, MO


Other selections include the works of finalists in the anthology contest.



Von Pittman served as the anthology's editor. Following a career in academic administration, Pittman began writing fiction.  His short stories and creative nonfiction pieces have appeared in The First Line, Cantos, Crime and Suspense, Perspectives Magazine, Well Versed, Cuivre River, and Iowa History Illustrated.  In addition, he has contributed to several recent anthologies, including Storm Country (Missouri Writers Guild, 2011), Deep Waters (Outrider Press, 2012), and Educators as Writers (Peter Lang, 2006). Pittman has won first-place awards in the annual Missouri Writers Guild competition in the categories of Short Story and (2008) and Article (2012), as well as several other awards.

Uncertain Promise can be pre-ordered at a discount through AKA Publishing.

Wednesday, October 1, 2014

Call for Submissions: Nimrod International Journal of Prose and Poetry

Yesterday I received an e-mail with a call for submissions from Eilis O’Neal, Editor-in-Chief of Nimrod International Journal of Prose and Poetry, at the University of Tulsa.

The Call for Submissions for their Spring/Summer 2015 issue has the theme of: 
Circulatory Systems: Current and Connection.

For hints at what the editors have in mind, visit the Nimrod Journal website.

Here are some guidelines:

Stories and creative nonfiction  - up to 7,500 words

Poetry - up to 8 pages 

All work must be previously unpublished 

Postmark Deadline: November 30, 2014 

Publication Date: April 2015

Send manuscripts to:

Nimrod Journal
The University of Tulsa
800 S. Tucker Dr.
Tulsa, OK 74104

Please mark both your cover letter and the outer envelope with “Spring 2015 Theme.”

Questions? Email nimrod@utulsa.edu, call (918) 631-3080. Or visit the website.


Monday, September 22, 2014

Don't Miss This: Fiction and Nonfiction Contest Announcements from Dappled Things

Earlier this month, Denise Montgomery , from Catholic Writers of St. Louis, forwarded an e-mail with some exciting contest announcements from Dappled Things, a quarterly of ideas, art, & faith

It's taken me a while to pass this information along, but it's worth reading and sharing!

Here's what I like about these contests:

The contest prizes are generous. 

The processing fee for fiction is only $2.

There's no processing for nonfiction entries.

So, here's the scoop:

Last year, Dappled Things debuted the J.F. Powers Prize for Short Fiction. The contest drew about 400 entries, from which a winner and nine honorable mentions were selected by a panel of independent judges. 

This year the magazine is introducing a nonfiction category, the Jacques Maritain Prize for Nonfiction.

Here’s what you need to know if you are interested in making a submission to either prize:

What are the prize amounts?
For the J. F. Powers Prize for short fiction: 
1st place: $500
2nd place: $250
8 honorable mentions: publication in the journal and a one-year subscription.

What is the deadline for the fiction prize?

You can submit your story until November 28, 2014.


For the JacquesMaritain Prize for Nonfiction, the prizes are:

1st place: $500
2nd place: $300
3rd place: $200

What is the deadline for the nonfiction prize?
Since all nonfiction submissions will be eligible for the prize (selected from among all the essays published in Dappled Things during a given year), then submissions for the prize are accepted year-round. To participate in the current prize, your piece should appear at the latest in the Mary, Queen of Angels 2015 edition, which means you would have to make a submission by June 2015. The issues could all be filled before then, however, so don’t delay. The editors publish about two to three essays per issue, and all published essays will be finalists for the prize. The earlier you submit, the likelier the chances your essay will appear among a given year’s finalists.

What kind of submissions are you looking for?
For the J.F. Powers Prize for Short Fiction, please review the submission guidelines. If you have a story to submit that doesn't fit those guidelines, please consider making a submission under the general fiction category.

With regards to the Jacques Maritain Prize for Nonfiction, the editors are not limiting submissions to a particular theme (this being in keeping with Maritain’s own broad interests), other than what would fit within the context of a Catholic cultural and literary journal. In other words, please follow the nonfiction submission guidelines and look at the nonfiction pieces that appear in previous issues

When will winners be announced?
Winners of the J.F. Powers Prize for Short Fiction will be announced in February 2015. Winners of the Jacques Maritain Prize for Nonfiction will be announced in December 2015 (with the finalists being announced as each issue is published, starting with the Christmas 2014 edition).

Is there a reading fee?
No. 
However, given the costs imposed on us by the huge number of entries last the winner will be year, we are instituting a nominal $2 processing fee for the fiction prize to help us run it as efficiently as possible. Think of it as the equivalent of paying for postage if submissions were being accepted through the mail. 
There will be no processing fee for the nonfiction prize this year.
Make your submissions soon! 
Further information will be posted on the Contests page as well as Submittable. 

Saturday, September 13, 2014

UMSL's Write Stuff Program: Chancellor's Certificate in Writing, Focused Seminars, Business Writing and More

UMSL's Write Stuff Program offers St. Louis area writers the opportunity to "learn from experts and enhance your skills." 

Writers interested in earning a Chancellor's Certificate in Writing:

* Complete a total of 50 contact hours 

* Contact hours include:

 ** Two core courses (one fiction and one nonfiction) taught by top students in UMSL's distinguished Master of Fine Arts Creative Writing Program 

 ** And focused seminars on a wide variety of topics (including business writing) 

Writers wanting to improve their writing skills but not interested in earning a certificate:

** Can pick and choose from a variety of classes or seminars that interest them

All seminars are taught by published authors

For more information on The Write Stuff Certificate Program or to register, please call (314) 516-7454.

This month, multi-published, award-winning author and writing teacher Dianna Graveman will give a seminar on: 

Writing for Dollars: Earn Income as a Freelancer

The seminar will be Saturday September 20 from 1-4

Here's a description of the seminar: "You've written a short story or have a great idea for a magazine article or personal essay. Now what? Where and how can you get it published and earn money for your work? Find places to publish, choose a market for your story, pitch an article, and more. Come away from this class with a wealth of information about how to start writing for dollars."

Two Business Writing Seminars will also be presented this month: 

Business Writing Seminars will count toward the contact hours needed for the Write Stuff Certificate. 

Business writing seminars are $65 each, or you may register for both on the same day for $100 each. Onsite training is available for a group of 10 or more participants. Please call for special pricing and scheduling options.

* Grammar and Punctuation for the Business Professional

Wednesday, September 24, 2014 • 9 AM–Noon  
Creativity and industry knowledge are building blocks for effective business writing, but common errors in grammar and punctuation can undermine the best efforts. Join this collaborative workshop to refresh your knowledge or to continue to build stronger skills.

* Telling the Story: Narrative Writing for Business Professionals

Wednesday, September 24, 2014 • 1–4 PM  
Storytelling skills aren’t just for novelists; business professionals use narrative writing, too – to weave scenarios, present case studies, develop compelling training modules, craft great blog posts, compose winning press releases, and more. Learn how to craft a piece that will hook your audience, engage them, and send them off with a memorable message.

For more information, visit the Write Stuff Program website.