My Top Ten Takeaways from Jill Marr's "Exposition versus Dialogue" Presentation

One area I try to improve on in my fiction is hitting the right balance between exposition and dialogue.

So I was thrilled to listen to literary agent Jill Marr's suggestions on how to do that during her "Exposition versus Dialogue" presentation at the All Write Now! Conference.

Here are the ten takeaways I plan to focus on from list she discussed: 

* Write it down then go back over the telling part and change to show.

* Start as late as you can in the plot.

* Lock up back story and let out only when needed.

* Don’t have two characters talking about what they already know.

* Don’t use quotes on an entire page.

* Fold exposition in like eggs into a batter.

* Don’t give up great heaps of information.

* Dialogue has to ring true.

         
* Use italics for interior dialogue.

* Don't use he said/she said if it's obvious who is speaking.

How about you: Do you find any of the above suggestions helpful when writing fiction? 

More Notes from the All Write Now Conference: Tiffany Schofield and David Armand

Here's another installment of my notes from the All Write Now! Conference earlier this month.

During a morning session Five Star Publishing representative Tiffany Schofield gave a presentation on how writers can challenge their characters.

Her presentation included a discussion on some of her favorite recent reads and how the authors challenged their characters.

Here are some notes from her presentation:

* Readers get invested in characters.

* Read twice as much as you write.

* Step out of genre.

* Keep a journal/note what stood out as a reader and jot it down.

* For character development, describe setting.

* For pacing, balance dialogue and narrative.

* Writers can take some liberties in historical fiction, but history buffs will call you out if you make a mistake.

* Challenge your characters' boundaries (physical, emotional, spiritual, societal, and literary).

* Push through; challenge the norm.

* Question the status quo.

* Without failure, there is no growth.

***

During lunch, keynote speaker David Armand spoke about his writing journey from an adopted son in Louisiana to a college professor at Southeastern Louisiana University.

His memoir, My Mother's House, opens with the image of rotten peaches, bruised fruits left on the floor to rot. He felt the peaches represented his life as being discarded and bruised, but still bearing fruit. 

His remarks were inspirational and focused on how books saved him and made a difference in his life. Through books and writing he was able to live his grand dreams.

He recommended the book On Writing by Stephen King as one of his favorites

He also suggested writers:

* Do the work.

* Believe in yourself.

* Take the seeds from an image to create a story.

He closed with a line from the Robert Frost poem, "The Road Less Traveled."

Although his remarks were brief, they demonstrated how reading and writing can change lives.

Notes from All Write Now Conference (Part II): John Rudolph on "Don't Call the Lawyers: Understanding Publishing Contracts"

One of the most informative sessions at the AWN Conference was John Rudolph’s presentation on “Don’t Call the Lawyers: Understanding Publishing Contracts.”

It was apparent that Mr. Rudolph, an agent with Dystel and Goderich Literary Management, is skilled on his topic. Here are a few tips he shared with the standing-room-only crowd:

* Hiring a lawyer might cost more than what an author makes on a book.

* Pay attention to who pays for ancillary materials (photos, indexing).

* Unless you’re dealing with a movie studio, don’t give up movie rights.

* Author should have approval over copyedited manuscript.

* Unless you accept a flat fee (work for hire), you own the copyright.

* Reserve the right to an audit and ask for an accounting statement at least once a year.

* Plagiarism and lawsuits are rare but expensive.

* Limit as much as possible the first look at next book option.

* Define Out-of-Print status.

* Agent commission should match original agreement with agent.

* Any rights not expressly covered by contract belong to you.

* Areas to negotiate: Advance, Royalty, Territory.

Remember, the publisher wants you to succeed. A contract is an act of good faith, not an adversarial relationship!

Notes from All Write Now Conference: Perfecting Your Pitch with Jill Marr

Sioux reads her winning pitch while Jill Marr listens

For the next few posts I'll share some notes and observations from the All Write Now! Conference last weekend at SEMO in Cape Girardeau, which was an amazing experience by the way.

The first event of the morning was "Perfecting Your Pitch" with literary agent Jill Marr.

During the session, Jill described what she considers to be the makings of a successful elevator pitch.

Jill stated the best elevator pitches can be done in about 60 seconds, so her first word of advice was for writers to keep it short and focused.

For fiction, the focus should be on your project, rather than yourself.

Here are some specific tips on pitches. Pitches should be:

* Concise (be brief)

* Clear (no acronyms or jargon)

* Correct (appropriate audience)

* Compelling (hook to ask for more)

* Conceptual (stick to high level, don’t give too much detail)

* Customize (be ready to improvise)

* Conversational (keep it flowing, not stiff)

Also, be sure to include: character, situation (inciting incident), objective (goal), opponent (antagonist), disaster (climax - blackest moment in time).

* For nonfiction, the focus is more on yourself. Why you are proposing this project? What is your personal story?  

When pitching, know your title and genre. Have two options in your head. Be prepared.

Jill has an issue with pitches starting off with a question; it usually doesn’t always work for her. 

After her talk, about a dozen brave souls volunteered to give their pitches to the entire audience. 

I was not one of those brave souls. Call me chicken, but I'm not one to volunteer to get up in public and read. But I did use what I learned during this session to polish my pitch for later that afternoon.

To encourage the audience to participate, Jill offered as a prize for the winner a ten-page critique.

My observation of those who gave pitches was that the best were concise, focused, and memorable.

The one selected as the winner was Sioux Roslawski’s. (Yay, Sioux!)

Sioux (pictured above) visited our critique group and shared her pitch last Tuesday, so I had a hint at what she was going to say.

When Sioux practiced her pitch to our group we blown away. Still, her pitch was fresh. To sum it up, I’d say Sioux’s manuscript is wickedly funny.

After this session I revised my own pitch so I'd be prepared to pitch my project later in the day.

And I'm happy to report that when I pitched my project to Jill she had positive comments. She loves my title and subject matter. She gave me her card and asked me to send the entire manuscript after I've polished it. She told me she'd rather have it polished than quick.

Hope this post is helpful to anyone who plans to pitch to an agent or an editor.

For my next post I'll share some notes from John Rudolph's session on publishing contracts.

Pitch Perfect at the All Write Now! Conference

Next weekend several members of the Coffee and Critique writers' group will be heading to the SEMO campus in Cape Girardeau for the Third Annual All Write Now! Conference.

A few of us have signed up to pitch projects to agents or publishers. At time of registration, we were allowed to select two members of faculty to present our pitches to during the conference.

I signed up for Jill Marr from the Sandra Dijkstra Literary Agency or Tiffany Schofield from Five Star Publishing. I won't know which one I'll get selected to pitch to, but I'll be happy to discuss my project with either lady.

Several years ago I pitched a work-in-progress to an agent who invited me to query her after I finished my project, which, for reasons I won't go into, is still incomplete.

Keeping the "practice makes perfect" motto in mind, some of our critique group member are going to be perfecting our pitches before our Coffee and Critique meeting next Tuesday.

That leads me to the purpose of this post. Please feel free to respond to these questions.

Have you ever pitched before?

What were the results of your pitch session?

What advice do you have for someone giving a pitch?

Specifically, what dos and don'ts  do you have to share?

Curious minds would like to know.

All Write Now! Conference Notes: Janet L. Cannon on "Building Your Writer's Platform"

When I first heard that the opening group session at the All Write Now! Conference at SEMO was "Building Your Writers' Platform," I thought, Oh, no. not that again.

 

It's not that I don't care about my writer's platform, I really do. It's just that I've read about that same topic and have heard speakers talk about it several times over the past few years. 

 

But, I'm happy to say I was pleasantly surprised. 

 

Whoever said "You can't teach an old dog new tricks," was wrong because I learned a few new tricks, courtesy of technology teacher, Janet L. Cannon, who gave an enthusiastic presentation, supplemented by questions and comments from the audience. 

Here are some suggestions which bear repeating:
 

* Know your audience

* Expand your public platform -- participate in social media, present workshops, win contests, join clubs, attend conferences/workshops, meet agents/editors/publishers and other writers

 * Expand your circles of interest (e.g., gym, church, volunteer activities)

 * Put your writer’s signature on your e-mails (Note to self: Do this!)

 *Make a plan (short-term, mid-range, long-term)

 * It’s okay to fail; if one way doesn’t work, try something else

 * Have a Plan “B”

 * Post questions and engaging content

 * Respond in a timely manner

 * Publish a small collection of your work

 * Focus, but not on sales; overselling turns people off

 * Use photos and videos in your posts

 * Have color wheels or call-to-action buttons (orange is a stimulating color--I didn't know that!)

 * Build relationships; have a circle of writers and friends (I love that the emphasis was on building relationships and not on "networking")

 * Don’t pay for followers (but it's okay to give away free stuff, like books or samples of your work)

 * Use #Hashtags to increase searchability (but your post has to be public, and don’t use too many #hashtags)

* It's all right to mix professional and personal information on your blog or website because your readers want to get to know you

* Show your personality

 * Your attitude determines your success

 * Always be professional, even if others are not (this was repeated three times)

How about you? Any words of wisdom to pass along about building your writer's platform?

Notes from Dr. Susan Swartwout on Writing Talismans

Last Saturday I attended the second annual All Write Now! Conference on the campus of Southeast Missouri State University in Cape Girardeau.

The opening keynote speaker was Dr. Susan Swartwout, whose gothic poetry book, Odd Beauty, Strange Fruit, will be available soon from Brick Mantel Books.

During her presentation, Dr. Swartwout spoke with wisdom, grace, and enthusiasm on the topic of writing talismans.

According to the dictionary, a talisman is "something producing apparently magical or miraculous effects."

Dr. Swartwout shared that during her career she was given the talismans of "persistence" and "crap shoot" by two writers, so she wanted to pass along a few talismans other writers can use.

* Write daily. "Don't ignore your muse." No matter if you journal, blog, or prefer another form of writing, find the will, desire, and drive to write every day.

* Write yourself. "Don't try to be your favorite writer." Write what you know, or what you can know, or what you want to learn more about.

* Never stop learning. Read! Reach outside your comfort zone and read works you wouldn't normally read. Enlarge your vocabulary. She quoted E.L. Doctorow, "Start from nothing and learn as you go."

* Spill it! Write as fast as you can. Let your ideas flow honestly. Don't listen to the voice of your internal editor, or your mother, or someone else trying to filter your words on the page. And keep in mind your first draft is your worst draft.

* Take risks. Don't take the easy way by avoiding uncomfortable topics, but also don't overshare. She gave an example of a man who wrote in too much detail about one of his body parts. She suggested keeping a dream journal to record your dreams as soon as you wake up so you can capture the "raw ghosts" wandering around trying to break through your subconscious.

* Write with enthusiasm! She compared writing with enthusiasm to smiling when answering the phone. Write with zest and have fun. The first thing a writer should be is excited!

She wrapped up her talk by suggesting writers use their superpowers for good, because, she said, "Nobody else can do it but you!"

So, how about you? Do you have a writing talisman to share?

All Write Now! Conference Offers Writing Advice, Inspiration, and Publication Opportunities

I'm excited to be speaking at the Second Annual All Write Now! Conference next weekend, Saturday, July, 11, on the campus of Southeast Missouri State University in the historic Mississippi River city of Cape Girardeau, Missouri.

Courtesy of All Write Now!

Registration kicks off at 8 a.m. July 11 on the fourth floor of the University Center (pictured at left).

The welcome address and introduction of the faculty begins at 8:30.

At 8:45,  Dr. Susan Swartwout, Professor at Southeast Missouri State University and Editor/Publisher of the SEMO University Press, will give the opening keynote address.

The opening group session starts at 9:15 with Janet L. Cannon, Technology Instructor, who will address the topic of  "Building Your Writer's Platform"

The luncheon keynote speaker will be New York Times best-selling author, Angie Fox.

Throughout the day, breakout sessions will cover a wide range of topics, such as: fiction, poetry, prose, personal essays, newspaper writing, children and YA, romance, networking, book cover design, and much more.

Breakout speakers include:
Eileen Dryer, New York Times best-selling romance author.
Dr. Allison Joseph, Associate Professor and Director of SIU-C Creative Writing Program
Bob Miller, Editor of Southeastern Missouri News
Margo Dill, Children and YA author and editor
Ellie Searl, Publishta and book designer
Catherine Rankovich, author, editor and teacher
Donna Volkenannt, writer, editor, and teacher

Afternoon pitch sessions feature the following publishers:

Amphorae Publishing Group, (which includes Blank Slate Press, Walrus Publishing, and Treehouse Publishing Group), with Kristina Blank Makansi, Lisa Miller, and Donna Essner

Brick Mantle Books/Open Books Press, Pen & Publish with Jennifer Geist

Deadly Publishing, LLC, with Sharon Woods Hopkins and Bill Hopkins

Rocking Horse Publishing, with Robin Tidwell

Conference co-chairs Mary Rechenberg and Donna Essner have done an excellent job planning and organizing this special event, along with Marcie Upchurch, who interviewed speakers for the blog; Laura Luttrell, who served as contest coordinator; and Janet L. Cannon, who designed their spectacular website. These women and everyone else involved with this conference are definitely first-class professionals!

The All Write Now! conference also features door prizes, contest announcements, and a mystery grand prize.

For complete details, visit the All Write Now! Conference website.