Submission Announcement from Well Versed and Winner of Behind Every Door

The Columbia Chapter of the Missouri Writers' Guild is now open for submissions of poetry, fiction, nonfiction, and flash fiction for their 2017 issue of Well Versed.

Logo courtesy of CCMWG blog

Here are a few basic submission highlights:

Unpublished entries only

Deadline January 15, 2017

Winners announced April 7, 2017

Release date June 4, 2017

Complete guidelines, including cost for entering and prize amounts for each category, can be found on the Well Versed rules and submission guidelines page. 

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Drum roll, please . . .

Next, is the announcement of the winner of Cynthia A. Graham's novel, Behind Every Door from Blank Slate Press, an imprint of Amphorae Publishing Group. Thanks to Cynthia for her interview questions and to everyone who left a comment.

My random number generator, aka my husband, picked the number five. 

Commenter #5 is : K9friend, aka Pat Wahler.

Congratulations, Pat. I will get the copy of Behind Every Door to you soon.

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Finally, later this month I will feature a guest post about "setting as character" from Dixon Hearne, author of the short story collection Delta Flats: Stories in the Key of Blues and Hope.

I hope you will return to read what Dixon has to say on that topic.

Interview with Cynthia A. Graham on Writing Behind Every Door and A Book Giveaway

During a conversation at the Ozarks Creative Writing Conference with an editor from Amphorae Publishing Group, "a small press with big books," the editor commented that she enjoys my reading blog and asked if I would be willing to interview a couple of their authors.

Before agreeing, I asked for some information about the authors and their books to make sure they would be a good fit for my blog visitors. And I believe they are. 

I am not being compensated for interviewing the authors, although I was given a copy of their books to help me formulate my questions.

Cynthia A. Graham

My first interview is with multi-genre author Cynthia A.Graham. The photo on the left is courtesy of Amphorae Publishing Group.

According to the Amphorae website, Cynthia was born in St. Louis, Missouri, but spent a lot of time in the cotton belt of Missouri, "where she grew to love the mystery and beauty of the stark, Delta Plain." Cynthia's short stories have won several awards, and her work has been published in various anthologies. 


I am giving away my copy of Cynthia A. Graham's Behind Every Door, published by Blank Slate Press (an imprint of Amphorae Publishing Group), to one of my blog visitors who leaves a comment on this post.

Here are my interview questions (in black) and Cynthia's answers (in red).

The primary setting for Behind Every Door is Cherokee Crossing, Arkansas. Is Cherokee Crossing an actual location or a fictional town?

Cherokee Crossing is a fictional town located in the northeast corner of Arkansas. It would most likely be in the real county of Lawrence. I wanted to create a town so that I could do with it whatever I wanted, geographically, racially, and politically.

Behind Every Door is your second novel, following Beneath Still Waters. What was the inspiration for Behind Every Door, and how does it connect with Beneath Still Waters?

Behind Every Door takes place two years after Beneath Still Waters and continues the life of Andrew “Hick” Blackburn as he becomes a husband and father. At the time I was (and still am) frustrated with how quickly we jump to conclusions – how easily we judge based on preconceived ideas and how these prejudices can make justice, for some, very hard to find.

Your novel takes place in the Deep South shortly after World War II, a time of great change and upheaval in the United States, not just because of the war, but also because of social norms and racial tensions. Why did you pick this time period for your mystery?

Hick Blackburn was largely born from various family stories of uncles who had gone to fight the war. These young men were not well-traveled; they perhaps had never been further from home than the mid-south fair in Memphis and were thrust into battle in a strange, faraway place. The inevitable disorientation this caused helped define Hick, it made him the perfect vehicle for questioning injustice as he had witnessed atrocity. He is no longer capable of blind acceptance or complacency because his world has been irrevocably changed.

Sheriff Andrew Jackson “Hick” Blackburn, the main character, is a well drawn and realistic character. He is a man of integrity and purpose, yet he has flaws and a wartime-past he would like to forget. How did you come up with him as a character?

I really wanted Hick to be a perfect storm of vulnerability – someone who would really think and process his experiences. I created for him a past of relative ease, but I gave him the sort of character that really questions things – from the abuse of a cat as a child to the horrific experience he had in the war. I did not want him to be just another John Wayne “hero” type character, but rather I wanted him to be a vehicle for questioning our own motives and actions, our assignations of who is worthy of life and who is not.

How difficult was it to write from the point of view of a man, especially one who has come home from a terrible wartime experience?

The greatest compliment I ever received was from a mentor who told me I “think like a man.” I honestly think there are fewer differences between the sexes than we perceive. Virginia Woolf and Samuel Coleridge both refer to the importance of an androgynous mind. The challenge was not so much in Hick’s masculinity as in his impotence to express himself – in his “mind forged manacles.” The wartime experience (which I have not had) exasperated this problem and was a challenge, but anyone can understand the frustration in wanting to express yourself on some deep level and being unable to.

I love the cover of your book and am curious about the title, both of which tie in to my question about your writing and publishing process. What can you tell us about how long it took and other aspects of the writing, editing, and publishing process for Behind Every Door?

I thought the title Behind Every Door tied in nicely with Beneath Still Waters and my publisher designed both covers and I think they perfectly complement one another. I was inspired when I wrote it and since Beneath Still Waters had been favorably received, I wanted to get it completed quickly. The whole process took about a year and a half which is amazingly rapid.

Other than being an entertaining mystery, what do you hope your readers will take away after reading Behind Every Door?

I hope that it will caution them to not jump to conclusions. Not only about crime, but about the people you meet on a daily basis. We have no way of knowing what kind of personal agony is dealt with behind every door. Perhaps I just hope it will inspire people to be careful with one another – to treat each other with kindness and respect.

In your bio, you mention that you belong to several writing groups, among them is the Historical Novel Society. What can you tell us about that group?

The Historical Novel Society is a group that has a quarterly issue of book reviews. They also sponsor a large conference every year. Last year it was in Oxford, England, and this year it will be in Portland, Oregon.

What are you working on now?

I have completed the third draft of Between the Lies, another Hick Blackburn mystery. As time marches on, Hick will find himself embroiled in more social issues, such as desegregation.

What is the best way for readers to contact you?

They can reach me by e-mail at graham@cynthiaagraham.com

Visitors (from USA only) who leave a comment will be entered in a drawing to win my copy of Behind Every Door. The name of the winner will be announced on Monday, November 21.

Query and Synopsis Advice from Treehouse Publishing Group: Stay Focused

During the July Saturday Writers meeting, Kristy Blank Makansi and Jennifer Dunn Stewart of Blank Slate Press and Treehouse Publishing Group spoke to a packed house about “Knocking on the Door: The Query and the Synopsis.”

I’ve been to several presentations on this topic, but I have to say this one was exceptional. What I most appreciated was that they geared their talk toward helping and educating writers rather than highlighting the services their business offers.

 

The duo worked well as a team, each stating their individual approach and preferences, which gave a balanced perspective to what editors look for in query packages.

At the end of their presentation they read and discussed a handful of query letters submitted by audience members. What stayed with me most about the reading of the query letters was one word: FOCUS!

As usual, I took pages of notes. Here are some dos and don’ts from their presentation.   

 

Do:

Focus on the writing and trust your instincts.

Put some distance between completing your manuscript and submitting to an agent or an editor.

Remember that writing is an art; publishing is a business.

Understand your genre: Writing what you love to read will help you understand the market. Writing your query letter will help you understand your manuscript.

Keep your query to three paragraphs, no more than three sentences each. Paragraph 1: Why are you querying that particular agent? What’s the word count and genre? Paragraph 2: Distill your story in three sentences. (Time and space, the hero, the challenge, the conflict, what is at stake, how the hero changes.)  Paragraph 3: Include a relevant, brief bio with significant publications, if any.  

Keep in mind that a synopsis should be one page, single spaced and include: the set up, the character’s motivation, description of main characters (not tall and blond), main plot points, conflict, emotion, action, snippets of dialogue, black moment, climax, and resolution. Be sure to include the story’s ending.

Always follow agency or publisher guidelines.

Keep it real: You’re not Stephen King.

Remember that your query letter has one job: To get an agent or an editor to read more of your manuscript.

Stay calm and keep your chin up!

 

Don’t

Query before you’re ready.

Get too personal in the bio of your query letter.

Leave the ending off of your synopsis. (An agent or editor needs to know how it ends to be able to sell it.)

Ask an agent or a publisher to sign a non-disclosure form. (It's a turn off and a sign of mistrust.)

Have the word copyright all over the pages. (It’s the mark of an amateur.)

Think you’re the exception to the rule. 

Let the end game influence your craft.

Lose focus.

 ***

 

Jennifer’s and Kristy’s talk inspired me to dig out a manuscript I’d started years ago and had stored in the bottom drawer of my desk. No doubt about it, I'd followed their advice on putting distance between writing and querying. In fact, I’d put way too much distance.  

Using their boilerplate, I wrote a query letter to help me understand my manuscript better. Now I’m inspired to finish my manuscript by the end of the year and edit it early next year.

 

Stay tuned while I try to stay focused!

Missouri Writers' Guild Winners Announced

Last Saturday at the MWG conference awards banquet, the names of the winners of the MWG annual contests were announced.

I wasn't able to attend the conference, but several thoughtful and kind-hearted writing friends notified me via social media that my name had been called Saturday night.

Now that the official results have been posted on the MWG website I can announce my winnings:

1st Place "The Magic of Writing" - Blog Post, sponsored by Whispering Prairie Press 

2nd Place "Wisdom in Ruby Red" - Second Chance Essay, sponsored by the Writer's Society of Jefferson County

 

3rd Place "Sweet Memories" - Inspirational Essay, sponsored by Saturday Writers

 

I'm always pleased and excited to have my work recognized, and I'm thrilled that so many of my writing friends were among the winners whose works were also given awards.

 

Here's a partial list of the winners:

 

Coffee and Critique group members and blogger buddies who took home prizes are: Janet Bettag, Margo Dill, Sylvia Forbes, Marcia Gaye, Jennifer Hashieder, Claudia Mundell, Alice Muschany, Sheree Nielsen, Linda O'Connell, Sarah Patsaros, Doyle Suit, and Jack Zerr.

 

Also winning first place was the Saturday Writers Cuivre River Anthology, which took home the top prize in the Best Anthology category, sponsored by Blank Slate Press.

 

To view the complete list of winners and to see a photo of MWG President Steve Wiegenstein with the winners who were on hand to accept their awards, click on the links above.

Congratulations to all the winners, and a special thanks to the chapters and groups who sponsored contests.