Writing advice, publication opportunities, and thoughts on books, language, and life from Donna Volkenannt, winner of the Erma Bombeck Humor Award. Donna believes great stories begin in a writer's imagination and touch a reader's heart.
Wednesday, July 27, 2016
More Notes from the All Write Now Conference: Tiffany Schofield and David Armand
Friday, May 6, 2016
Notes from the Unbound Book Festival: Mark Doty Discusses Poetry and Memoir
Wednesday, October 28, 2015
Notes from OCW: Brett Cogburn, Western Writer, Philosopher, and Contrarian Grammarian

At the end of his talk, he summed up his approach to writing by saying, “I’m an old contrarian.”
Wednesday, October 14, 2015
Notes from OCW: Tiffany Schofield from Five Star Publishing "We're Searching for Your Voice"


Be that rebel spirit
Put your own voice into the story
Write what you love and what that story is telling you
Writing is a solitary journey that can become part of something bigger
Don’t be afraid of the voice in your story
Readers love to be challenged
Avoid head hopping
Don’t confuse your reader
Five Star is a niche market known for sales to libraries
Frontier thriller is very popular in the library market
Fiction writers writing historical fiction do more research than nonfiction writers
Find an historical character and be sure to get historical details correct
Wednesday, July 15, 2015
Notes from Dr. Susan Swartwout on Writing Talismans

The opening keynote speaker was Dr. Susan Swartwout, whose gothic poetry book, Odd Beauty, Strange Fruit, will be available soon from Brick Mantel Books.
During her presentation, Dr. Swartwout spoke with wisdom, grace, and enthusiasm on the topic of writing talismans.
According to the dictionary, a talisman is "something producing apparently magical or miraculous effects."
Dr. Swartwout shared that during her career she was given the talismans of "persistence" and "crap shoot" by two writers, so she wanted to pass along a few talismans other writers can use.
* Write daily. "Don't ignore your muse." No matter if you journal, blog, or prefer another form of writing, find the will, desire, and drive to write every day.
* Write yourself. "Don't try to be your favorite writer." Write what you know, or what you can know, or what you want to learn more about.
* Never stop learning. Read! Reach outside your comfort zone and read works you wouldn't normally read. Enlarge your vocabulary. She quoted E.L. Doctorow, "Start from nothing and learn as you go."
* Spill it! Write as fast as you can. Let your ideas flow honestly. Don't listen to the voice of your internal editor, or your mother, or someone else trying to filter your words on the page. And keep in mind your first draft is your worst draft.
* Take risks. Don't take the easy way by avoiding uncomfortable topics, but also don't overshare. She gave an example of a man who wrote in too much detail about one of his body parts. She suggested keeping a dream journal to record your dreams as soon as you wake up so you can capture the "raw ghosts" wandering around trying to break through your subconscious.
* Write with enthusiasm! She compared writing with enthusiasm to smiling when answering the phone. Write with zest and have fun. The first thing a writer should be is excited!
She wrapped up her talk by suggesting writers use their superpowers for good, because, she said, "Nobody else can do it but you!"
So, how about you? Do you have a writing talisman to share?
Thursday, November 6, 2014
More CCMWG Notes: What's So Funny? with Mary-Lane Kamberg -- and a Well Versed Winner
Mary Lane Kamberg at CCMWG |
I can attest to Mary-Lane's writing skills -- and her sense of humor. About ten years ago we both served on the board of the Missouri Writers' Guild. Even when board discussions got heated, Mary-Lane could be relied on for solid advice and an upbeat personality.
Monday, October 27, 2014
More Notes from CCMWG's Write Direction Conference: Writing Nonfiction with Mary Horner
Tuesday, October 21, 2014
Notes from CCMWG Keynote Address by Terry Allen on Film Noir
Friday, October 11, 2013
An Overdue Post: Notes from Dianna Graveman's Presentation on “Using a Travel Journal as Inspiration for Writing Short Fiction"
* Watch for historical markers.
Friday, May 11, 2012
Erma Bombeck 2012: Dinner with Adriana Trigiani, author of THE SHOEMAKER'S WIFE
Monday, May 7, 2012
Notes from the Erma Bombeck Workshop - Plot, Character, and Self-Hypnosis
Any rate I have pages of notes from last month's EB Workshop, and going over them is like reliving my experience.
Martinez Standring is the award-winning author of The Art of Column Writing and the TV host of "It's All Write with Suzette." She also is a formerly certified hypnotherapist who applies guided imagery techniques to writing.
Suzette's workshop was a powerful experience. While I don't know if I was hypnotized, I felt extremely relaxed. At one point I felt my head droop, but I became alert when someone behind started to cry and the back door in the room opened and closed a few times.
By the end of the session, my sister Kathleen discovered her shoes had fallen off, but she didn't feel them fall. The relexation exercise did work because afterwards I wrote down some vivid images that came to mind.
Question: Have you ever been hypnotized? If so, how was the experience for you?
P.S. In future posts I'll share more of my workshop notes and experiences. Because, note taker that I am, I need to type out my notes somewhere, so it might as well be on my blog.
Saturday, July 9, 2011
Notes from Nancy Pickard's MWG Session on Rewriting
It’s hard to believe it’s been three months since I attended the MWG conference last April. After attending a conference or workshop I review my notes right away then a few months later look at them again with a fresh eye. After looking over my notes from last April, I came upon a gem.
During the conference, I attended a session given by award-winning author Nancy Pickard (The Scent of Rain and Lightning and The Virgin of Small Plains). As part of her talk on “Rewriting to Make Every Scene Come Alive,” she shared a template called CASTS which she uses during her rewriting process.
Here’s a brief synopsis of her advice for rewriting scenes using her CASTS method:
- Conflict. Take each chapter and mark where you detect conflict. Conflict may be inward or subtle as well as external or overt.
- Action. Movement stems from emotion. Emotion moves action and thoughts. Let the character feel.
- Surprise. Readers love surprises. Surprise the Protagonist.
- Turn. Something needs to happen to cause a shift—it can be small. If no change, nothing happened.
- Senses. Put the five senses into your scenes. When reviewing your scenes, she suggested using a different colored pencil for each sense (scent, touch, hearing, smell, taste). Lots of stories and books open with food or the characters in the kitchen for a reason. And don’t forget to add color.
She suggests using the CASTS (plus P) to look at each scene and ask yourself these questions:
Do I have these elements?
Are they good enough?
Do they seem genuine?
After listening to
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