Mysteries of the Ozarks, Volume V - Interviews with Lonnie Whitaker and Dr. Barri Bumgarner

Here is the second installment of interviews with contributors who have stories in Mysteries of the Ozarks, Volume V, from Ozark Writers, Inc.

Lonnie Whitaker attended a two-room school in the Ozarks and Missouri University Law School. He retired as district counsel for a federal agency and now works as a writer and an editor. His novel, Geese to a Poor Market, won the Ozark Writers’ League Best Book of the Year Award. His stories have appeared in Chicken Soup for the Soul, regional magazines, and anthologies. His children’s book, Mulligan Meets the Poodlums, will be published in 2017.

Dr. Barri L. Bumgarner is the author of a sci-fi thriller (8 Days), a psychological thriller (Slipping) and a YA novel, Dregs. Barri, an Assistant Professor at Westminster College, has also published seventeen short stories and hundreds of articles, both academic and teacher-education focused.   

Other publications include “Why Not Me,” now being completed as a full nonfiction manuscript. She has just completed a contemporary fiction manuscript, Fifty Cents for a Dr Pepper.

1. What sparked your writing bug?

Lonnie: Since I was a child I had the notion that I could write, but I was "officially" bitten when I submitted a short story to Missouri Life Magazine in 1999 . . . and they bought it.  A beginner's luck, perhaps, but it put me in the game.

Barri:  To quote Strickland Gillilan, “I had a mother who read to me.” While most kids listened to Dr. Seuss, I was hearing The Rubaiyat of Omar Khayyam. When I was 7, I created a chapbook called The Works of Bumgarner. I’ve been writing ever since I can remember.

2. Please summarize your story in MOTO V.

Lonnie: A college student is called home because his mother has been admitted to a hospital for an illness, which seems suspicious to him. He suspected it was the recurring voices stemming  from her experimental cancer treatment. But seeing her fearful eyes made him almost afraid to ask.

Barri:   This autobiographical story is about my dad, who struggled with alcoholism, and how I learned about his problem. I first drafted the story during the Missouri Writing Project in 2006 and decided it was too close to home to publish at the time. Now, it’s time.

3. Where is your favorite place in the Ozarks? Please describe it.

Lonnie: On the Jack's Fork River, upstream from the Highway 17 bridge, there's a secluded gravel bar across from a limestone bluff that shadows a deep swimming hole. The spring-fed water is clear enough to see crawdads scurrying about, and there aren't many canoes or tourists. 

Barri:   I grew up in Lebanon, and had many favorite places: Bennett Springs, Wehner’s Bakery (eating crème horns with my dad), Lebanon Country Club (my summer hangout with Wilson and friends). When I moved to Springfield to attend SMSU, I discovered Lake Springfield. It holds a special place in my heart.

4. What writing accomplishment(s) are you most proud? 

Lonnie: Publication of my novel, Geese to a Poor Market.  It's a novel of the Ozarks, with one leg that wants to boogie, and the other planted on a pew. Or, "What do you get when you cross Norma Rae with Thelma and Louise?" –Jim Bohannon, Westwood One Radio.

Barri:  When I published my first novel, 8 Days, I was ecstatic that my dad found out before he died. That was truly special. I’m also proud every time my blog sparks conversation. There’s no point in having a voice if you’re not willing to use it to spark change.

5. Many of my blog visitors are also writers. What writing advice can you share with them?

Lonnie: Long sentences laced with modifiers are too wordy for commercial fiction. Replace some of the adjectives and adverbs with strong verbs. Karl Largent, a techno-thriller author, told me, “Never have your protagonist running quickly when he could be sprinting.” As Mark Twain said: “When you catch an adjective, kill it.”

Barri:   Write! Do it daily, if you can, no matter how simple the topic. Then connect with other writers. I stay involved with Missouri Writing Project, I’m in a writing group with colleagues at Westminster, and write every chance I get. Not writing, for me, risks stifling the creative juices.

Bonus Question: Where can readers find more about you? (Your website, blog, Facebook, etc.)

Lonnie: See my website www.geesetoapoormarket.com, or after October 2017 at www.lonniewhitaker.com with the publication of my first children's picture book, Mulligan Meets the Poodlums. And I am on Facebook.

Barri: https://www.facebook.com/BarriLBumgarner  

https://barrilbumgarner.blogspot.com

Thanks for answering my questions, and congratulations on having your stories in Mysteries of the Ozarks, Volume V.

Interview with Jane Shewmaker Hale, President of Ozark Writers, Inc.

Over the next few weeks, I'll be posting interviews with contributors of Mysteries of the Ozarks, Volume V, the organization responsible for the Mysteries of the Ozarks series.

First up are ten questions for Jane Shewmaker Hale, author, entrepreneur, and president of Ozark Writers, Inc.

1. Can you briefly tell us a little bit about you--your personal background, professional       background, writing accomplishments, etc.?

My late husband Bob and I have four sons, ten grandchildren, and seven great grandchildren. I reside on the Hale family farm in Buffalo, Missouri, where I’m an active partner in our family businesses, including Hale Fireworks  I’m a columnist for "Buffalo...As I Remember it" in the County Courier. I’ve published a YA series of mysteries: Wonderland in 1997, Heartland in 1999, Foreverland in 2001, and Boomland, in 2003. My other books are Every Day Is Mother’s Day and Every Day Is Father’s Day. I’ve also published numerous short stories in anthologies.

2. What can you tell us about the history of Ozark Writers, Inc.?

 In August 2001 Ellen Gray Massey, Vicki Cox, Shirleen Sando, Carolyn Gray Thornton, Betty Cracker Henderson, and I formed Ozark Writers, Inc., a nonprofit organization with a 501c3 status. Our purpose was to encourage and promote writers from the Ozark region to publish their works and to educate and expand the reading public to the literature of the Ozarks. We held workshops in Missouri, Illinois, Connecticut, Washington, D.C. and Settle, Washington. In 2003, the first volume of Mysteries of the Ozark was published with 19 short stories by authors from the Ozarks.  In the fall of  2017, the fifth volume of Mysteries of the Ozark will be available, featuring 19 authors from the Ozarks.

3.  What inspired you to continue the legacy of OWI begun by Ellen Gray Massey?

From the beginning, I served as President of Ozark Writers, Inc. Ellen Gray Massey was our mentor. We learned to encourage others as she encouraged us. Our writing is stronger because of her insistence for perfection. As we traveled to conferences, we reread aloud from our writing. Ellen, pen in hand, noted corrections. Today, as I write, I imagine her watching over my shoulder, pen in hand, reminding me of her teachings. She spent a lot of effort compiling the first four volumes of Mysteries of the Ozarks. Ellen and I talked about Volume V before her passing.

I believe she would be pleased we were continuing her legacy.

4. The Mysteries of the Ozarks anthology is now on volume five. How did you solicit stories for this issue of the popular anthology?

In the fall of each year, I attend Ozark Creative Writers conference in Eureka Springs, Arkansas. There’s a lot of talent gathered at that conference. In 2016, I felt it was time to compile stories for Volume 5.  I mentioned to some attendees that I was open for submissions. Some authors who had been published in the anthologies before expressed interest. Others, I piqued their interest. Before the conference was over I felt I had the essence of the book.

5. How did the submission, editing, and publishing processes work?

After I returned home from the conference, submissions began to arrive. I solicited a few other authors from the area. By the first of the year, I had the magic number 19. I was fortunate to have Vicki Cox, a member of the original board, and Donna Volkenannt join the board and serve as editors. We had worked together before as members of the Missouri Writers Guild. Three former Presidents of MWG made for a good editing team. High Hill Press was the original publisher. Circumstances required us to move the anthology to Goldminds Publishing.

6. I love the cover. Who was the photographer, and where the photo was taken?

The cover is a beautiful barn photograph taken by Melba Prossor Shewmaker of Bentonville, Arkansas. She is an accomplished photographer, whose hobby is photographing old barns. She has published a collection of those photographs. (See dedication in book for more.) The black and white photo is striking. It was made, more so, by a mock up done by Donna Volkenannt. Her version featured blood red font to entice the reader to enter the pages of mystery.

7. What can you tell us about some of the contributors in MOTO V?

Each story is unique in the telling from the computer of Robert Vaughan, who has published over 400 books or more. Western writers like Johnny Boggs, Dusty Richards, multiple WWA spur award winners. Terry Alexander, Mike Koch, Lonnie Whitaker, McKenrdee (Mike) Long, Micki Fuhrman, Brenda Brinkley, and Donna Volkenannt, who were attendees at OCW. Marilyn K Smith, a columnist for Reflex Newspapers in Buffalo, MO. Larry Woods and his father Ben, who share the honors with their story. Barri Bumgarner, Mitch Hale, Regina Williams Riney, Vicki Cox, Carolyn Gray Massey, and myself. And, of course, the cover artist, Melba Prossor Shewmaker.

8. What kinds of stories are included in MOTO V?

As the title denotes, they are mysteries. But, oh, the variety. The anthology includes: time travel, old west, fantasy, horror, nostalgia, romance, and humor. Each story is unique and entertaining!

9. Where can readers purchase copies of MOTO V?

From the authors, of course. Goldminds Publishers has excellent distribution ranging from local, area, to international. Watch for them on Amazon and in bookstores like Barnes and Noble, Books-a-Million, etc.

10. Anything you’d like to add or final thoughts about OWI, Mysteries of the Ozarks, or anything else?

I’d like to thank everyone who helped make Volume V, Mysteries of the Ozarks possible. Our two local banks, Oakstar and O’Bannon Banking Company donated funds. The authors and copy artist, plus our board and editors, and to Goldminds Publishing Company, our ultimate vehicle to publishing, made it possible.

Thanks, in advance, to readers, who I know will enjoy our anthology.

And, yes, Ellen, I feel you, pen in hand, looking over my shoulder.  

When Riding a Zip Line Watch Out for the Noodle

Last Friday, my sister Kathleen and I, along with some of her former co-workers and 50 other brave souls, met bright and early at the YMCA in O'Fallon, MO, for a bus trip to the Trout Lodge at the YMCA of the Ozarks in Potosi, MO.

The day started out great. The early morning weather was sunny and mild with just a hint of clouds. Before we boarded the bus, our hosts at the Y provided fruit juice, bottled water, and brown paper sacks of snacks for our trip.

Due to an accident on the highway, the bus ride took longer than expected, but we enjoyed a movie on the way.

Because of our late arrival, Kathleen and I weren't able to participate in the GEO-caching event that had already begun. In a nutshell, the task involves taking a GPS tracker and making your way through the woods using longitude and latitude markings to find landmarks. Maybe next time.

Instead, we joined some friends for a pontoon ride around the lake. Our pontoon driver/guide was enthusiastic and knowledgeable. She pointed out special features of the lodge, the horse trail ride path, and the location of a pair of eagles' nest. Her passion came through as we rode across the lake.

During lunch, the weather took a turn for nasty, but we were safely inside the glassed-in dining room, with a spectacular view of the lake, as hummingbirds flitted about their feeders and lightning zigzagged across the dark sky.

Also during lunch we debated if we should try the zip lines. We decided if it rained we wouldn't do it. By the time we finished eating, the sun reappeared and clouds fluttered away -- so did our excuse.

Our group of ten was last to go, so after walking about half a mile to the launch site, we were able to observe the first group and get some tips before getting harnessed up and ready to soar.

When Kathleen took to the platform I watched for her reaction. For years she's wanted to try zip-riding, but has been talked out of it. But after seeing men and women in the first group in ages ranging from their 40s to their 80s take to the platform, she worked up her courage, and so did I.

After putting on a helmet, we were instructed to run from a platform down an incline, where we would be launched. After a successful first trip she was handed a noodle to try and hit a red-white-and-blue target at the end of the ride. After hitting the target, she returned with a huge smile and a thumbs up.

So far, so good.


My first trip was amazing. I ran off the platform and down the incline and was lifted into the sky. My ride lasted only a few minutes, but the view was lovely. Zipping past evergreens and the winding trail below, I had a great view of the dogwoods in bloom.

Not to be outdone by my sister, I decided to try my luck at hitting the target with a noodle and opted for blue to match my helmet. Just before my ride began I asked for final instructions on how to hold the noodle while also holding onto the rope.


Um. I was so focused on my hands I forgot about my feet. I made it off the platform then stumbled on the incline.

I scraped the top of my right foot and twisted my left knee--the one I've had surgery on. Ouch!

But I persevered. Although my dignity took a hit, I held onto the noodle, swatted but missed, the target, and finished the ride.

After removing my helmet and harness and being treated for a flesh wound, I hobbled back to the lodge. My knee swelled up, and it has been painful to walk on, and much to my disappointment I missed the Heart Walk on Saturday.

You might wonder: Would she do it again?

Yep. I would. It was an amazing experience, a feeling of gliding through the fresh air among tall trees with the ground below.

But next time I think I'll skip the noodle.

Steve Wiegenstein Sheds Some Light on Writing Historical Fiction and Nonfiction

Earlier this month I attended a meeting of the Columbia Chapter of the Missouri Writers' Guild. The guest speaker was college professor, journalist, and author Steve Wiegenstein, who spoke about writing historical fiction and nonfiction. Steve's historical fiction novel Slant of Light, published by Blank Slate Press, is set in the Missouri Ozarks during the Civil War.

 

Visitors to my blog know what a voracious note-taker I am, especially when I hear someone who knows what they're talking about give advice on writing. They also know how I like to share what I've learned with other writers, so here are a few notes I jotted down during Steve's talk.

 

* In historical fiction, details and specifics matter, but they do not matter as much as the story.

 

* Goals for writing historical nonfiction (which were shared with Steve by another historical novelist) are:  Entertainment and Empathy, not education (although it may become a side effect).

* In historical nonfiction, focus on the human drama of the characters.

* Nonfiction – bound by facts.

* Fiction – author has some wiggle room. For example: in Steve's book he did not mess with dates of a Lincoln-Douglas debate, but he did alter some dates and events of some non-signal characters to make the narrative more dramatic and exciting.

 

* Purpose of historical nonfiction: to tell a STORY.

* Avoid “Research Rapture," when a writer can’t bear not to share results of research.

 * Keep in the compelling parts of research.

* Small details matter a lot (e.g. clothing - zippers or hooks in 19th century).

 * EMPATHY separates rewarding historical fiction from throwaway books.

 * He didn’t put the emotion in the first draft, but in subsequent ones.

 * Lesson Learned for the sequel:

-- Don’t put your manuscript out for people to read too soon.

-- Let it lay for a couple weeks.

 

Hope my notes help shed some light on writing historical fiction and nonfiction. If you want to learn more, visit Steve Wiegenstein's blog.

 

P.S. In addition to all his other busy activities, Steve is the current President of the Missouri Writers' Guild.

 

Before his presentation at CCMWG he talked about the MWG conference, which will be Apr 26-28 in Maryland Heights. The MWG conference has a long list of speakers and topics of interest for writers. Unfortunately, a family event that weekend prevents me from attending the conference, although I might try to make it to the awards banquet on Saturday night. To learn more about the MWG conference, click here.

Review of Footprints in the Ozarks, A Memoir by Ellen Gray Massey

A few months ago, Ozarks writer Ellen Gray Massey wrote and asked if I would be interested in reading and reviewing her memoir, Footprints in the Ozarks.

It took less than a minute to reply, "Of course!"

At that time I had a list of books I'd already been assigned to read and review, along with deadlines for several writing projects, but Ellen's request was a no-brainer.

Full disclosure: I've known Ellen for about 15 years, and for as long as I've known her she has been an inspiration to me and other writers. She is kind and generous and wise, as well as a talented writer and storyteller and a respected authority on the Ozarks.

After explaining my workload whining about my workload, I wrote that most likely I couldn't finish my review until May. She graciously answered that would be no problem and promptly sent me a signed copy of her memoir. While Ellen gave me a copy of her memoir, she did not pay me to review her book, and I did not promise to give it a favorable review--just an honest one--by the end of May.

True to my word, on this last day of May, I am reviewing Ellen's delightful memoir.

Footprints in the Ozarks is a collection of short essays that capture the essence of the Ozarks, its people, its traditions, and its impact on American culture. Ellen's Ozarks story opens in December, 1944, with a story about her future husband Lane Massey. Dedicated to the memory of Lane, Footprints in the Ozarks is a  personal glimpse into Ellen's years as a wife, mother, teacher, writer, and Home Agent for the Missouri Farm Bureau.

The memoir is divided in three parts: Home Agent in Lebanon, The Farm, and Back in Lebanon. The book's primary setting is Laclede County, Missouri, around the town of Lebanon, Missouri, located along historic Route 66, now Interstate 44.

As you read about Ellen's life, you'll learn about Ozarkians, Ozarks customs and sayings, and a rural lifestyle in bygone days --- a time of Shivarees, homemade rag rugs, pie suppers, and one-room schoolhouses. The photos enhance the memoir and give an intimate portrait of Ellen and her family.

While Ellen Gray Massey's footprints mark her life's work, her memoir Footprints in the Ozarks will leave an indelible impression on readers who want to learn about the people and the place --- the mysterious, magnificient, Missouri Ozarks.