Showing posts with label Ozark Writers Inc. Show all posts
Showing posts with label Ozark Writers Inc. Show all posts

Tuesday, October 31, 2017

Mysteries of the Ozarks, Volume V - Interviews with Lonnie Whitaker and Dr. Barri Bumgarner

Here is the second installment of interviews with contributors who have stories in Mysteries of the Ozarks, Volume V, from Ozark Writers, Inc.

Lonnie Whitaker attended a two-room school in the Ozarks and Missouri University Law School. He retired as district counsel for a federal agency and now works as a writer and an editor. His novel, Geese to a Poor Market, won the Ozark Writers’ League Best Book of the Year Award. His stories have appeared in Chicken Soup for the Soul, regional magazines, and anthologies. His children’s book, Mulligan Meets the Poodlums, will be published in 2017.


Dr. Barri L. Bumgarner is the author of a sci-fi thriller (8 Days), a psychological thriller (Slipping) and a YA novel, Dregs. Barri, an Assistant Professor at Westminster College, has also published seventeen short stories and hundreds of articles, both academic and teacher-education focused.   
Other publications include “Why Not Me,” now being completed as a full nonfiction manuscript. She has just completed a contemporary fiction manuscript, Fifty Cents for a Dr Pepper.

1. What sparked your writing bug?

Lonnie: Since I was a child I had the notion that I could write, but I was "officially" bitten when I submitted a short story to Missouri Life Magazine in 1999 . . . and they bought it.  A beginner's luck, perhaps, but it put me in the game.

Barri:  To quote Strickland Gillilan, “I had a mother who read to me.” While most kids listened to Dr. Seuss, I was hearing The Rubaiyat of Omar Khayyam. When I was 7, I created a chapbook called The Works of Bumgarner. I’ve been writing ever since I can remember.

2. Please summarize your story in MOTO V.

Lonnie: A college student is called home because his mother has been admitted to a hospital for an illness, which seems suspicious to him. He suspected it was the recurring voices stemming  from her experimental cancer treatment. But seeing her fearful eyes made him almost afraid to ask.

Barri:   This autobiographical story is about my dad, who struggled with alcoholism, and how I learned about his problem. I first drafted the story during the Missouri Writing Project in 2006 and decided it was too close to home to publish at the time. Now, it’s time.

3. Where is your favorite place in the Ozarks? Please describe it.

Lonnie: On the Jack's Fork River, upstream from the Highway 17 bridge, there's a secluded gravel bar across from a limestone bluff that shadows a deep swimming hole. The spring-fed water is clear enough to see crawdads scurrying about, and there aren't many canoes or tourists. 

Barri:   I grew up in Lebanon, and had many favorite places: Bennett Springs, Wehner’s Bakery (eating crème horns with my dad), Lebanon Country Club (my summer hangout with Wilson and friends). When I moved to Springfield to attend SMSU, I discovered Lake Springfield. It holds a special place in my heart.

4. What writing accomplishment(s) are you most proud? 

Lonnie: Publication of my novel, Geese to a Poor Market.  It's a novel of the Ozarks, with one leg that wants to boogie, and the other planted on a pew. Or, "What do you get when you cross Norma Rae with Thelma and Louise?" –Jim Bohannon, Westwood One Radio.

Barri:  When I published my first novel, 8 Days, I was ecstatic that my dad found out before he died. That was truly special. I’m also proud every time my blog sparks conversation. There’s no point in having a voice if you’re not willing to use it to spark change.

5. Many of my blog visitors are also writers. What writing advice can you share with them?

Lonnie: Long sentences laced with modifiers are too wordy for commercial fiction. Replace some of the adjectives and adverbs with strong verbs. Karl Largent, a techno-thriller author, told me, “Never have your protagonist running quickly when he could be sprinting.” As Mark Twain said: “When you catch an adjective, kill it.”

Barri:   Write! Do it daily, if you can, no matter how simple the topic. Then connect with other writers. I stay involved with Missouri Writing Project, I’m in a writing group with colleagues at Westminster, and write every chance I get. Not writing, for me, risks stifling the creative juices.

Bonus Question: Where can readers find more about you? (Your website, blog, Facebook, etc.)

Lonnie: See my website www.geesetoapoormarket.com, or after October 2017 at www.lonniewhitaker.com with the publication of my first children's picture book, Mulligan Meets the Poodlums. And I am on Facebook.



Thanks for answering my questions, and congratulations on having your stories in Mysteries of the Ozarks, Volume V.

Thursday, October 19, 2017

Mysteries of the Ozarks, Volume V - Interviews with Johnny Boggs and Larry Wood

Several weeks ago, Jane Hale, president of Ozark Writers, Inc., forwarded names of contributors to Mysteries of the Ozarks, Volume V, who agreed to be interviewed on my blog.

I asked five questions plus a bonus question. First to reply were Johnny Boggs and Larry Wood. Here are their bios and responses:

Johnny D. Boggs has been a full-time novelist and freelance magazine writer since 1998. He has won a record-tying seven Spur Awards from Western Writers of America, the Western Heritage Wrangler Award from the National Cowboy and Western Heritage Museum, an Arkansiana Juvenile Award from the Arkansas Library Association and the Milton F. Perry Award from the National James-Younger Gang. He lives in Santa Fe, New Mexico, with his wife, son and two dogs.

Larry Wood is a freelance writer specializing in the history of Missouri and the Ozarks. He is the author of fifteen nonfiction history books, two historical novels, and hundreds of stories and articles.  He maintains a blog at www.ozarks-history.blogspot.com, and is an honorary lifetime member of the Missouri Writers' Guild. Larry's co-author on "Charlie Cries All Night," the MOTO V story, is his long-deceased father, Ben L. Wood. Larry resurrected the story from his dad's unpublished files and made numerous changes, but the basic plot belongs to Ben Wood. Ben was an essayist and poet whose work appeared in publications ranging from The Ozarks Mountaineer to the Kansas City Star.   

1. What sparked your writing bug?
Johnny Boggs: Third-grade English. The assignment was "write a tale." I have no idea what I wrote, but I remember the feeling I got while writing it. This was my calling, I decided, and I still get that feeling when I sit down at my computer.

Larry Wood: I more or less drifted into writing by default during college when I ended up majoring in English because I made better grades in English than my other classes, but the idea of being a writer was probably planted much earlier, since my dad was also a writer.

2. Please summarize your story in MOTO V.
Johnny Boggs:The tongue-in-cheek "Meet the New Dick Powell" has the Ozarks-born actor returning home because his career is washed up in Hollywood. He's mistaken for a private eye, and, having just been rejected for the lead role in "Double Indemnity," decides to play a tough-guy in a real-life situation.

Larry Wood: My dad, author of the first draft of "Charlie Cries All Night," was a correctional officer at the Medical Center for Federal prisoners in Springfield. Thus, the idea for the story, about an escaped, psychotic convict who terrorizes a nurse working late at a doctor's office, although the story was not originally set in Springfield.  

3. Where is your favorite place in the Ozarks? Please describe it.
Johnny Boggs: The Buffalo River. Rented a cabin there for a long weekend in 1990, bought a wooden chest at a shop outside of Eureka Springs, drove back to Dallas. I put a dozen roses and an engagement ring in the chest, and when Lisa opened it, I proposed.

Larry Wood: The nature trail at the Wildcat Glades Conservation and Audubon Center just south of Joplin on Shoal Creek. It's not necessarily the most scenic place in the Ozarks, but it's a place I go regularly for relaxing walks in a natural setting.

4. What writing accomplishment(s) are you most proud?
Johnny Boggs: The seven Spur Awards from Western Writers of America blow my mind. I think I'm most proud of the first one, which I got in 2002 for "A Piano at Dead Man's Crossing," because that was for a short story, the hardest form of fiction to write. (Donna's note: Seven spurs--Wow! And I agree about short fiction being the hardest form of fiction to write.)

Larry Wood: As a longtime member of the Missouri Writers' Guild, I think that being named an honorary lifetime member of the organization in 2016 is probably the thing I'm most proud of in my writing career. (Donna's note: That is an amazing accomplishment!)

5. Many of my blog visitors are also writers. What writing advice can you share with them?
Johnny Boggs: Write. Write. Write. Read. Read. Read. Rewrite. Rewrite. Rewrite. Rewrite. Rewrite. And don't miss your deadlines.  (Donna's note: I agree, and I would add you were first to submit your interview responses, so you are serious about deadlines.)

Larry Wood: Have a writing routine and stick with it. It doesn't even have to be a routine in the sense that you write at exactly the same time every day for exactly the same length of time, but you have to have something resembling a routine that shows you're committed to writing. In my own case, I write every day, seven days a week, with very few exceptions, but sometimes I write an hour, sometimes four or five hours, and not necessarily at the same time each day. It's somewhat like my exercise routine. I don't walk or jog at the same time every day, but I don't feel the day is complete if I don't do one or the other some time during the day.   

Bonus Question: Where can readers find more about you? (Your website, blog, Facebook, etc.)

Larry Wood: My blog on regional history can be found at www.ozarks-history.blogspot.com, and I have an author Facebook page at https://www.facebook.com/AuthorLarryWood/.


Johnny and Larry, thanks for your replies.

Over the next weeks I will post responses of the other contributors. 

Monday, October 9, 2017

Interview with Jane Shewmaker Hale, President of Ozark Writers, Inc.

Over the next few weeks, I'll be posting interviews with contributors of Mysteries of the Ozarks, Volume V, the organization responsible for the Mysteries of the Ozarks series.

First up are ten questions for Jane Shewmaker Hale, author, entrepreneur, and president of Ozark Writers, Inc.

1. Can you briefly tell us a little bit about you--your personal background, professional       background, writing accomplishments, etc.?



My late husband Bob and I have four sons, ten grandchildren, and seven great grandchildren. I reside on the Hale family farm in Buffalo, Missouri, where I’m an active partner in our family businesses, including Hale Fireworks  I’m a columnist for "Buffalo...As I Remember it" in the County Courier. I’ve published a YA series of mysteries: Wonderland in 1997, Heartland in 1999, Foreverland in 2001, and Boomland, in 2003. My other books are Every Day Is Mother’s Day and Every Day Is Father’s Day. I’ve also published numerous short stories in anthologies.

2. What can you tell us about the history of Ozark Writers, Inc.?

 In August 2001 Ellen Gray Massey, Vicki Cox, Shirleen Sando, Carolyn Gray Thornton, Betty Cracker Henderson, and I formed Ozark Writers, Inc., a nonprofit organization with a 501c3 status. Our purpose was to encourage and promote writers from the Ozark region to publish their works and to educate and expand the reading public to the literature of the Ozarks. We held workshops in Missouri, Illinois, Connecticut, Washington, D.C. and Settle, Washington. In 2003, the first volume of Mysteries of the Ozark was published with 19 short stories by authors from the Ozarks.  In the fall of  2017, the fifth volume of Mysteries of the Ozark will be available, featuring 19 authors from the Ozarks.

3.  What inspired you to continue the legacy of OWI begun by Ellen Gray Massey?

From the beginning, I served as President of Ozark Writers, Inc. Ellen Gray Massey was our mentor. We learned to encourage others as she encouraged us. Our writing is stronger because of her insistence for perfection. As we traveled to conferences, we reread aloud from our writing. Ellen, pen in hand, noted corrections. Today, as I write, I imagine her watching over my shoulder, pen in hand, reminding me of her teachings. She spent a lot of effort compiling the first four volumes of Mysteries of the Ozarks. Ellen and I talked about Volume V before her passing.

I believe she would be pleased we were continuing her legacy.

4. The Mysteries of the Ozarks anthology is now on volume five. How did you solicit stories for this issue of the popular anthology?

In the fall of each year, I attend Ozark Creative Writers conference in Eureka Springs, Arkansas. There’s a lot of talent gathered at that conference. In 2016, I felt it was time to compile stories for Volume 5.  I mentioned to some attendees that I was open for submissions. Some authors who had been published in the anthologies before expressed interest. Others, I piqued their interest. Before the conference was over I felt I had the essence of the book.

5. How did the submission, editing, and publishing processes work?

After I returned home from the conference, submissions began to arrive. I solicited a few other authors from the area. By the first of the year, I had the magic number 19. I was fortunate to have Vicki Cox, a member of the original board, and Donna Volkenannt join the board and serve as editors. We had worked together before as members of the Missouri Writers Guild. Three former Presidents of MWG made for a good editing team. High Hill Press was the original publisher. Circumstances required us to move the anthology to Goldminds Publishing.

6. I love the cover. Who was the photographer, and where the photo was taken?

The cover is a beautiful barn photograph taken by Melba Prossor Shewmaker of Bentonville, Arkansas. She is an accomplished photographer, whose hobby is photographing old barns. She has published a collection of those photographs. (See dedication in book for more.) The black and white photo is striking. It was made, more so, by a mock up done by Donna Volkenannt. Her version featured blood red font to entice the reader to enter the pages of mystery.

7. What can you tell us about some of the contributors in MOTO V?

Each story is unique in the telling from the computer of Robert Vaughan, who has published over 400 books or more. Western writers like Johnny Boggs, Dusty Richards, multiple WWA spur award winners. Terry Alexander, Mike Koch, Lonnie Whitaker, McKenrdee (Mike) Long, Micki Fuhrman, Brenda Brinkley, and Donna Volkenannt, who were attendees at OCW. Marilyn K Smith, a columnist for Reflex Newspapers in Buffalo, MO. Larry Woods and his father Ben, who share the honors with their story. Barri Bumgarner, Mitch Hale, Regina Williams Riney, Vicki Cox, Carolyn Gray Massey, and myself. And, of course, the cover artist, Melba Prossor Shewmaker.

8. What kinds of stories are included in MOTO V?

As the title denotes, they are mysteries. But, oh, the variety. The anthology includes: time travel, old west, fantasy, horror, nostalgia, romance, and humor. Each story is unique and entertaining!

9. Where can readers purchase copies of MOTO V?

From the authors, of course. Goldminds Publishers has excellent distribution ranging from local, area, to international. Watch for them on Amazon and in bookstores like Barnes and Noble, Books-a-Million, etc.

10. Anything you’d like to add or final thoughts about OWI, Mysteries of the Ozarks, or anything else?

I’d like to thank everyone who helped make Volume V, Mysteries of the Ozarks possible. Our two local banks, Oakstar and O’Bannon Banking Company donated funds. The authors and copy artist, plus our board and editors, and to Goldminds Publishing Company, our ultimate vehicle to publishing, made it possible.

Thanks, in advance, to readers, who I know will enjoy our anthology.

And, yes, Ellen, I feel you, pen in hand, looking over my shoulder.  

Thursday, April 27, 2017

Writing to Heal


One way I’m coping with breast cancer—and the side effect of chemo brain, which causes forgetfulness and muddy thinking—is to write.  


I’ve been encouraged to journal and have received several journals as gifts (like the one on the left) from friends, but I haven’t used them yet. I’m not ready to record all the day-to-day events about my illness. It feels too raw. Plus the journals are so pretty, I’m saving them for happier times.



What I am doing is writing when I have energy and the mood strikes. Mostly I write on my laptop, but I also scribble notes in raggedy notebooks.  



A short story I began in January started as a romantic mystery to read at critique group for a Valentine’s love story challenge was titled “Time Will Tell.” Around the same time, I was invited to submit to Mysteries of the Ozarks (Vol V), a project of the Ozarks Writers Inc. I reworked and lengthened the story to highlight the mystery aspect, and the story was accepted just before my diagnosis. A few weeks later, I was asked to help with editing and proofreading the anthology. I agreed because when I first started chemo treatments I was having trouble sleeping and welcomed doing something productive. In addition to that, I was asked to become a member of the OWI board. It has been a positive experience in every way.



In February, I rewrote and expanded my essay, “Remembering Miss Tobin,” which was among the top ten finalist in 2014 Erma Bombeck human interest competition, but never published. I revised and renamed the new essay, “Miss Tobin’s Special Gifts,” and submitted it to Whispering Prairie Press for their KC Voices magazine. Earlier this month I received an e-mail that the editor “loved” my essay asked for permission to use it. Of course, I accepted.



Earlier this month, I pulled out an old essay about the day my husband became a US citizen. The expanded version corrected mistakes in the original and included the night we met at a USO dance. I wasn’t able to attend my critique group to read the story, so my good friend Alice printed it off and read it for me then called and relayed everyone’s comments. Using many of their suggestions, I cut the original version from around 1,000 words to 750, changed the title, and the end result resulted in a tighter and I think better story. It’s a long shot, but I submitted it to Chicken Soup for the Soul: My Kind Of America. I won’t know until June if "A Good Day for A New Citizen" is accepted. If I don’t hear by then I’ll know it isn’t a good fit, but I’ll remain hopeful.



Last week, my mind wandered to my childhood neighborhood in North St. Louis and a memory of an unusual boy who lived down the alley. He was a few years older than the rest of the boys on our block, who never invited him to play, so he usually stood and watched the rest of us have fun. I felt sorry for him, but he also made me feel uneasy, the way he stared and watched the rest of us. That memory resulted in a short story about a lonely writer/blogger/teacher who spies on his coworkers and students and uses what he learns about them to get ahead. It’s an odd piece and I’m not sure what will become of it, but it might eventually find a home.



More than a month ago, I started on an essay about losing my hair, but I’m not quite ready to finish that one yet.



I’ve put my novel aside for the time being, but who knows maybe if I get a burst of inspiration I’ll pick it up again. Now that I finished the “red devil” chemo sessions, have started on “chemo light” treatments, and will start physical rehab next week to get my strength back, I might get inspired.



How about you? Have you ever written to heal—from an illness, grief, personal tragedy, or for any other reason? If so, has writing helped?


Mysteries of the Ozarks, Volume V - Interviews with Lonnie Whitaker and Dr. Barri Bumgarner

Here is the second installment of interviews with contributors who have stories in Mysteries of the Ozarks, Volume V , from Ozark Writers, I...