Submission Announcement from Well Versed and Winner of Behind Every Door

The Columbia Chapter of the Missouri Writers' Guild is now open for submissions of poetry, fiction, nonfiction, and flash fiction for their 2017 issue of Well Versed.

Logo courtesy of CCMWG blog

Here are a few basic submission highlights:

Unpublished entries only

Deadline January 15, 2017

Winners announced April 7, 2017

Release date June 4, 2017

Complete guidelines, including cost for entering and prize amounts for each category, can be found on the Well Versed rules and submission guidelines page. 

***

Drum roll, please . . .

Next, is the announcement of the winner of Cynthia A. Graham's novel, Behind Every Door from Blank Slate Press, an imprint of Amphorae Publishing Group. Thanks to Cynthia for her interview questions and to everyone who left a comment.

My random number generator, aka my husband, picked the number five. 

Commenter #5 is : K9friend, aka Pat Wahler.

Congratulations, Pat. I will get the copy of Behind Every Door to you soon.

***

Finally, later this month I will feature a guest post about "setting as character" from Dixon Hearne, author of the short story collection Delta Flats: Stories in the Key of Blues and Hope.

I hope you will return to read what Dixon has to say on that topic.

Multigenre Writing Contest/Submission Opportunity: Rock Springs Review

Boonville author Judy Stock, editor and publisher of the Rock Springs Review, has recently announced she is accepting manuscripts for an anthology to be published in 2017.

Judy, who has edited and consulted on several anthologies for writers' groups, is using her editing and publishing knowledge and expertise to create opportunities for writers and poets to showcase their talent in this new anthology.

Here are limited details:

* Open to Fiction, Nonfiction, and Poetry submissions
* $10 entry fee (consult guidelines for details)
* December 31, 2016 Deadline
* $50/$30/$20 prizes plus Honorable Mention Certificates awarded
* Winners selected by independent judges
* Rock Springs Review (200-250 pages) will be published in 2017
* Each contributor whose work is accepted for publication will receive a contributor copy and a token payment.

For complete guidelines and questions about the Rock Springs Review, e-mail Judy at: bcwjudy@gmail.com

Rock on!

And good luck if you enter!

More Notes from CCMWG's Write Direction Conference: Writing Nonfiction with Mary Horner

Here is the second installment of my notes from the CCMWG's Write Direction conference earlier this month. 

Mary Horner  is a multi-published, award-winning writer and college teacher who gave a thoughtful and informative session on “Writing Nonfiction.”

Here are some of the notes I jotted down during Mary's presentation:

Nonfiction is based on someone's truth. It is factual but can also be emotional. Variety is what makes writing nonfiction wonderful.

According to Mary, the secret of selling nonfiction is:

* Give editors what they want

* Read the publication before submitting

* Approach editors with an idea (2 or 3 are better)

* If it's something you're interested in, that's even better

* Your passion will come through if you care about your topic

* Ask the editor for an idea if your suggested ideas fail

* Submit clean, well organized, and researched copy

* Stay focused; it's more than the writing itself, it's the framework

Possible topics: What do you love? What do you hate? What are your pet peeves?

Make connections to your feelings so your passion comes through.

What do you know?

What do you want to know?

Next comes research (to fill the gap between what you know and want to know)

Mary's three-step process:

Make an outline – gather lots of info

Visit the library – ask  research librarians for assistance; they have access to databases not available to writers

Ask experts -- they are usually flattered you ask!

Word of caution: Research can be a time waster so set limits.

Credibility is believability.

Make sure your sources, especially from the Internet, are reliable.

Be sure to cite your research and copy url onto the work-in-progress document for future reference.

Always verify. If in doubt, leave it out.

One of Mary's favorite humorous quotes from the Internet is:

"85% of the quotes on the Internet are made up." (Abe Lincoln)

The framework for your nonfiction should be logical and easy to follow.

The thesis statement basically asks the question: What do I believe to be true?

Don't be afraid to make changes if what you discover during research conflicts with what you think you know.

Ask yourself:

What is true?

Why do I believe it?

What do I believe about it?

Mary shared this quote, “If there is no discovery for the writer, there is also no discovery for the reader.”

Narrow focus makes the difference.

Mary uses symbols in the margins of her paragraphs to help organize her works in progress.

Editors appreciate it when writers add a little something extra (a sidebar, thoughtful quotes, photographs, or illustrations).

If you would like to learn more about Mary’s thoughts on writing nonfiction, I recommend reading her book, “Strengthen your Nonfiction Writing.”

Don't Miss This: Fiction and Nonfiction Contest Announcements from Dappled Things

Earlier this month, Denise Montgomery , from Catholic Writers of St. Louis, forwarded an e-mail with some exciting contest announcements from Dappled Things, a quarterly of ideas, art, & faith. 

It's taken me a while to pass this information along, but it's worth reading and sharing!

Here's what I like about these contests:

The contest prizes are generous. 

The processing fee for fiction is only $2.

There's no processing for nonfiction entries.

So, here's the scoop:

Last year, Dappled Things debuted the J.F. Powers Prize for Short Fiction. The contest drew about 400 entries, from which a winner and nine honorable mentions were selected by a panel of independent judges. 

This year the magazine is introducing a nonfiction category, the Jacques Maritain Prize for Nonfiction.

Here’s what you need to know if you are interested in making a submission to either prize:

What are the prize amounts?

For the J. F. Powers Prize for short fiction: 
1st place: $500
2nd place: $250

8 honorable mentions: publication in the journal and a one-year subscription.

What is the deadline for the fiction prize?

You can submit your story until November 28, 2014.

For the JacquesMaritain Prize for Nonfiction, the prizes are:

1st place: $500
2nd place: $300
3rd place: $200

What is the deadline for the nonfiction prize?

Since all nonfiction submissions will be eligible for the prize (selected from among all the essays published in Dappled Things during a given year), then submissions for the prize are accepted year-round. To participate in the current prize, your piece should appear at the latest in the Mary, Queen of Angels 2015 edition, which means you would have to make a submission by June 2015. The issues could all be filled before then, however, so don’t delay. The editors publish about two to three essays per issue, and all published essays will be finalists for the prize. The earlier you submit, the likelier the chances your essay will appear among a given year’s finalists.

What kind of submissions are you looking for?
For the J.F. Powers Prize for Short Fiction, please review the submission guidelines. If you have a story to submit that doesn't fit those guidelines, please consider making a submission under the general fiction category.

With regards to the Jacques Maritain Prize for Nonfiction, the editors are not limiting submissions to a particular theme (this being in keeping with Maritain’s own broad interests), other than what would fit within the context of a Catholic cultural and literary journal. In other words, please follow the nonfiction submission guidelines and look at the nonfiction pieces that appear in previous issues. 

When will winners be announced?
Winners of the J.F. Powers Prize for Short Fiction will be announced in February 2015. Winners of the Jacques Maritain Prize for Nonfiction will be announced in December 2015 (with the finalists being announced as each issue is published, starting with the Christmas 2014 edition).

Is there a reading fee?
No. 

However, given the costs imposed on us by the huge number of entries last the winner will be year, we are instituting a nominal $2 processing fee for the fiction prize to help us run it as efficiently as possible. Think of it as the equivalent of paying for postage if submissions were being accepted through the mail. 

There will be no processing fee for the nonfiction prize this year.

Make your submissions soon! 

Further information will be posted on the Contests page as well as Submittable. 

Spring into Action: Enter Writing Contests from Saturday Writers and the Arkansas Writers' Conference

The past few days have been gray and dreary, but I don't need to look at the calendar to know that spring is just around the corner. Daylight comes earlier and lasts longer; daffodils are sprouting green leaves out of the brown earth; robins, cardinals, and mourning doves are busy building nests.

What better way to spring into the new season than by entering these writing contests?

The first group of colorful contests is from Saturday Writers.

 

Full disclosure: Although I'm no longer on the board, I am a founding member of SW. The current board has boundless energy and is full of fresh ideas, like their 2013 contests. Each month has a specific theme related to one or more colors. 



Saturday Writers 2013 Contests

Besides being colorful, here's what I like about the Saturday Writers' contests:

Anyone can enter
You don't have to belong to Saturday Writers to submit
The entry fees are modest ($5 for members $7 for non-members)
Although most contests are for short stories, others are for poetry and nonfiction
Judging is blind
Judges are from outside Saturday Writers (so everyone gets a fair shake.)
If you are a winner and want to be published, your work can be published in the Saturday Writers anthology. (Note: I'm not sure what happens if you win and don't want your work published, but I'm sure you can inquire about that.)
Deadlines are monthly
If you miss one month, you can plan ahead and enter another

To learn more about these colorful contests, visit the Saturday Writers website.

The second group of contests are part of the 69th Annual Arkansas Writers' Conference.

 

Several years ago I attended this conference with a friend. The organizers were welcoming and friendly, and the conference was informative, entertaining, and a lot of fun. I even won a few contests--woo hoo! What I like most about this group of contests is the variety of contest categories. Here's what else I like:

Anyone can enter
You don't have to attend the conference to win (although more categories are open to attendees)
One entry fee of $15 allows you to enter more than 20 contests (you can enter as many as 40 if you attend and are from Arkansas)
There are lots of generous prizes
Categories include poetry, essays, articles, and stories (mystery, children, humor, romance)
Categories are judged by sponsors or groups (Variety of judges makes for better chances for winning.)
Deadline is April 25, so there's still time to gather some entries
All entries are to be mailed to one address, so there's no confusion as to where to mail each entry. (Unlike some organizations that require separate checks and entries to be mailed to several different locations.)

To find out more, visit the AWC contest website.

Good luck if you enter. I'm thinking of entering a few contests myself.

Steve Wiegenstein Sheds Some Light on Writing Historical Fiction and Nonfiction

Earlier this month I attended a meeting of the Columbia Chapter of the Missouri Writers' Guild. The guest speaker was college professor, journalist, and author Steve Wiegenstein, who spoke about writing historical fiction and nonfiction. Steve's historical fiction novel Slant of Light, published by Blank Slate Press, is set in the Missouri Ozarks during the Civil War.

 

Visitors to my blog know what a voracious note-taker I am, especially when I hear someone who knows what they're talking about give advice on writing. They also know how I like to share what I've learned with other writers, so here are a few notes I jotted down during Steve's talk.

 

* In historical fiction, details and specifics matter, but they do not matter as much as the story.

 

* Goals for writing historical nonfiction (which were shared with Steve by another historical novelist) are:  Entertainment and Empathy, not education (although it may become a side effect).

* In historical nonfiction, focus on the human drama of the characters.

* Nonfiction – bound by facts.

* Fiction – author has some wiggle room. For example: in Steve's book he did not mess with dates of a Lincoln-Douglas debate, but he did alter some dates and events of some non-signal characters to make the narrative more dramatic and exciting.

 

* Purpose of historical nonfiction: to tell a STORY.

* Avoid “Research Rapture," when a writer can’t bear not to share results of research.

 * Keep in the compelling parts of research.

* Small details matter a lot (e.g. clothing - zippers or hooks in 19th century).

 * EMPATHY separates rewarding historical fiction from throwaway books.

 * He didn’t put the emotion in the first draft, but in subsequent ones.

 * Lesson Learned for the sequel:

-- Don’t put your manuscript out for people to read too soon.

-- Let it lay for a couple weeks.

 

Hope my notes help shed some light on writing historical fiction and nonfiction. If you want to learn more, visit Steve Wiegenstein's blog.

 

P.S. In addition to all his other busy activities, Steve is the current President of the Missouri Writers' Guild.

 

Before his presentation at CCMWG he talked about the MWG conference, which will be Apr 26-28 in Maryland Heights. The MWG conference has a long list of speakers and topics of interest for writers. Unfortunately, a family event that weekend prevents me from attending the conference, although I might try to make it to the awards banquet on Saturday night. To learn more about the MWG conference, click here.

Advice on Writing Good Prose

Last weekend I caught a program on Book TV that got me excited about writing.

Yep. That's the word that describes how I felt watching Tracy Kidder and Richard Todd talk about their new book: Good Prose: the Art of Nonfiction - Stories and Advice from a Lifetime of Writing and Editing.

I'm always looking for new ways to think about writing, and what could be better than to listen to advice from Pulitzer Prize-winning author Tracy Kidder and former executive editor of The Atlantic Richard Todd.

Although it was late at night and I was sleepy, I pulled out my handy-dandy black-and-white 2013 writing notebook and started writing. Here are some notes I jotted down:

Three forms of nonfiction:
- Essay
- Memoir
- Factual narrative

On Beginnings:
- Imagine the reader is intelligent and has knowledge not available to you.
- "There's a lot to be said for the quiet beginning." (e.g. "Call me Ishmael.")
- Invite the reader into a conversation
- Don't tell it all at once
- Trust yourself as a writer
- Trust the reader

Goal:
- Broader way of thinking
- Reveal the dramatic truth

Narrative of revelation:
- Problem unfolds
- Something is important or at stake
- Someone is learning something that transforms
- Most important conflict comes from within the character
- Without revelation, leaves one asking: "Is that all?"

Finding the story:
- Have an idea
- Let it blossom
- "Luck of the conception"
- "Grace descending"
- Chance encounter
- A story is not a subject
- Begins with character

Forget the cocktail party rule for summarizing your story: "It isn't always a bad sign when a potential story does not talk well."

Writing (after research):
- Don't commit too soon
- Seek to understand
- Don't delay too long
- Find a method that works
- Write in blocks to find connections
- Make mistakes early

Editing:
- Fall out of love with your words
- Let go of words that don't fit
- Leave something unsaid
- Help the reader to think
- Don't make it harder than necessary
- Read out loud
- Something that is good must go for the good of the whole
- Learn in revising

"A writer cannot hide from the sound of his voice."

"The best thing an editor can do is to help a writer to think."

That sums up most of what I wrote down.

Yesterday I visited our local library to check out Good Prose until I buy my own copy. Alas, the copy at the branch I visited had already been checked out.  Until my copy arrives, I'll rely on my notes.

So, any comments on Good Prose?