Writing about Death by Potato Soup and Other Curious Adventures

Have you ever read a story or heard a story and wanted to know more then you mentioned it to someone else and that person wanted to know more and before you knew it you were writing a script?

That's how I wrote a script about husband number six of the infamous St. Charles Potato Soup Black Widow for All Saints Parish's second "Voices of the Past" cemetery walk.

Let me back up a bit.

Two years ago our parish presented its first "Voices of the Past" cemetery walk. A few members of our parish writing group were asked to write scripts for historic characters who are buried in our parish cemetery. Actors, who also were parishioners, dressed in period costumes and portrayed the characters, using those scripts.

For our first cemetery walk I wrote about George Gaty, Revolutionary War hero and founder of St. Peters, Missouri. It was my first attempt at script writing, and although it was daunting, it turned out to be mind-stretching fun. Everyone who attended the October 2013 event said all the actors were remarkable. Unfortunately, I was out of town and unable to attend.

Earlier this year, during one of our writing group meetings, I mentioned an article I'd read about a farmer buried in our parish cemetery who had been murdered back in the late 1930s by the St. Charles Potato Soup Black Widow. Next thing I knew, I was doing research, interviewing a 90-plus-year-old parishioner who vividly remembered the event, and writing a script about Aloys Schneider for the cemetery walk.

Aloys Schneider was an unsuspecting farmer who had the misfortune of marrying a woman advertising her services as a housekeeper through a want ad in a St. Louis newspaper. The marriage to Aloys, husband number six, ended when he died shortly after their wedding. His family suspected his bride had poisoned him, but they lacked proof. It wasn't until a year later, after Tony Heppermann, husband number seven, died that the Potato Soup Black Widow was charged with double murder.

Aloys Schneider is one of many characters who will be portrayed during "Voices of the Past" cemetery walk on Oct 3 and 4 at 7 p.m. in the parish cemetery, 6 McMenamy Rd. St. Peters, MO. You can purchase tickets for $10 at the Parish Office, and more info can be found on the link above. Visitors are asked to arrive 15 minutes early and wear comfortable shoes.

I've already bought my ticket for the Oct 4 performance, and I can't wait to see all the actors play their roles.

If you are unable to make the event but are curious about Emma Sarana Heppermann, who laced her potato soup with arsenic and was suspected of murdering five of her seven husbands, one of her mothers-in-law, and even one of her own children, click on the link above.

Creating Mood in Fiction with Dr. Scott Dalrymple

Dr. Scott Dalrymple, President of Columbia College, spoke enthusiastically during his presentation at CCMWG's September meeting about creating mood in fiction.

Although presiding over a college is his profession, writing, especially short fantasy/science fiction pieces, is his passion.

His talk was casual, but his remarks were practical, thoughtful, and, at times -- deep.

Here are some notes/quotes I jotted down:
* The slush pile does get read, usually by an intern or an assistant. That's how his first short story got discovered.
* Having a good plot, especially in short stories, is not as important as having a good command of the language.
* If a story gets rejected, hold on to it for a while and revise and resubmit either that piece or a new piece to the same publication. (Editors move on -- or the same one might forget he/she read your story before.)
* He compared novelists and short story writers to carpenters.
  - Novelists are like framing carpenters with big elaborate structures (plots).
  - Short story writers are like finish carpenters (not to be confused with carpenters from Finland) who work on the smaller details (mood, language).
* He prefers to write shorter works -- but he enjoys reading novels.
* Editing is his favorite phase of the writing process.
* You've got to write something before you can edit.
* The "sound" of writing is crucial -- the cadence and rhythm (musicality, syllables, stresses).
* The rule of three is powerful (like the Holy Trinity). Dickens used it.
* Adjectives and adverbs are overused.
* The "reluctant hero" in modern fiction is annoying.
* Experiment writing in different persons; second person is tricky and some readers don't like it.
* Pick the one word that works; it can be an off-kilter word. (He prefers darker, bordering on horror).
* Think of  a stranger way to say it.
* "Not all good ideas turn out to be true."
* Great poets stun him (in a good way).
* In his opinion, Gene Wolfe is the greatest living writer and the "master of the casual revelation."
* Flash fiction pieces can convey a mood, and writing them is a good way to learn the craft.
* Huck Finn is the great American novel.
* "Endings are hard to write." (Dickens reportedly changed his for Great Expectations.)
* One of his advisors in college commented that "Real life doesn't have an ending -- it's unsatisfying."
* If others weren't there, what would we be?

How's that for heady stuff?

Although I typically don't read fantasy or science fiction, I'm going to check out Gene Wolfe, and I might even try writing something in second person.

Superstitions from Family and Friends

An unusual event happened at Bunco last month. It was strange because the Bunco group I belong to has been playing once a month for over forty years and this has never happened--at least not as long as I can remember.

The Bunco attendance prize was a cute and fancy watermelon knife, like the one on the left. (I had already bought an identical one at a local supermarket for me -- there was a super sale --- and another for my granddaughter to use in her new apartment.)

 Immediately after opening the Bunco gift bag with the knife inside, the prize winner hopped up from her chair, grabbed her wallet, and gave the hostess a penny.  When I asked the winner why she did that she told me it's bad luck to receive a knife as a gift. When you receive one, you're supposed to give whoever gave it to you some money. Curious about why it was bad luck, after I got home I did some research. Seems like there are several superstitions connected with knives.

The next time I saw my granddaughter I told her about the knife-gift superstition and reminded her that I had given her some money, along with the knife, so she was good. She looked at me like it was just another of my weird stories.

That reminded me of my mother's superstitions. Here are a few I remember:

If you spill salt, toss some over your left shoulder.
If your right hand itches, you're going to meet someone.
If your left hand itches, you're going to get some money.
Never put an umbrella on a table.
Never put a hat or shoes on a bed.
It's bad luck for a bird to fly into the house.
Don't let cats near newborns.
Don't cut a baby's hair before it's a year old.
Finding a coin heads-up is good luck.
Dreaming of muddy water mean bad luck. (My grandma would call everyone in the family when she had one of these dreams.)
Bad luck and good luck come in threes.
If it comes in three, let it be -- a warning to watch out for poison ivy and poison oak.

That's all I can think of right now.

How about you? Did your family have any superstitions?

2015 Tuscany Prize for Short Story Winners Announced

Last week I was thrilled after receiving an e-mail from Mr. Peter Mongeau, Founder and Publisher of Tuscany Press, notifying me that my short story, "The Judas Goat," was selected for an honorable mention in the 2015 Tuscany Prize for short story.

When I called Mr. Mongeau to accept the award, he congratulated me and asked me to tell him about myself and the background of my story.

During our forty-five minute conversation, he shared with me what he liked about "The Judas Goat" as well as why it didn't make the top five. I thanked him for the gift of his time and his candid comments and told him I'm looking forward to revising my story before it appears in the anthology.

The official announcement, which includes the names of the winning stories and bios of all the winners, was posted on the Tuscany Press blog yesterday. After reading the bios of the winners, I'm  humbled to have my story included among such an esteemed group of writers.

The publication date for the anthology, The Grove and Other Stories, is Spring of 2016. To share these stories with my blog visitors, I plan to give away a copy of the anthology some time next spring.

Got Flash in a Flash? MWG Semi-Flash Fiction Contest Deadline September 1

The Missouri Writers' Guild, which was established in 1915, is looking for original, unpublished works of fiction for their semi-flash writing contest. Semi-flash is a new term to me, but according to the guidelines, the length should be no longer than 1,000 words.

 

Writers do not have to belong to MWG to enter the contest. In fact, they don't even have to live in Missouri or the United States, but all entries must be in English.

Deadline: September 1, 2015

 

Entry fee is $10

 

First prize is $100. Additional cash prizes and other awards are detailed in the official guidelines. 

 

List of winners will be posted on the MWG website after November 1.



 



The general guidelines are listed below, and her is a link to the MWG contest site.

 

If you have questions, you can e-mail Judy Stock contest@missouriwritersguild.org

 

Good luck if you enter! But act quickly, the deadline is September 1. 

 

General Submission Rules
1. Entries are open to all writers; there is no requirement to be a member of MWG.
2. Entries will be online and must be in English.
3. Entries must be original work of entrant and unpublished at the time of submission.
4. Each work must be treated as a separate entry. For each entry, use a separate cover
sheet/online entry form available at www.missouriwritersguild.org. The cover
sheet includes the entrant’s name, address, telephone number, email address, and
a statement that entrant has read and signed the Terms of Agreement.
5. The deadline for all entries is midnight, September 1, 2015.
6. Entry should be double spaced, with a 1000 word limit, not including title.
7. Entries containing pornography, graphic violence, explicit or gratuitous sex, and
scatological content will not be accepted, nor will entry fee be returned.
8. Fees: Entry fee is $10 per entry. Payment may be made online through PayPal.
If entrants prefer, a check payable to MWG may be mailed to:
Missouri Writers Guild
Attn: Donna Essner, Treasurer
PO Box 2093
Saint Peters, Missouri 63376
9. MWG assumes no responsibility for misdirected entries.
10. May address any subject (except as noted in General Rule 7).
11. If you have questions, email Judy Stock contest@missouriwritersguild.org

Terms of Agreement: Signing states the entrant agrees guidelines have been read and followed.
Judging
1. All submissions are judged by independent judges, whose decisions are final.
2. Judges may award up to three places, at their discretion, but will select at least one “Judge’s Pick.”
Entrants whose work the judges submit for Honorable Mention will receive certificates.
For a list of winners, check MWG website http://www.missouriwritersguild.org after November 1, 2015. Winners will also be announced in the MWG newsletter.

ENTER FLASH FICTION CONTEST HERE!

 

 

The Importance of Transitions - in Writing and in Life

Early in my writing career, my transitions weren’t obvious to my readers. In my mind, I knew where I was headed with a story or an essay, but on paper I didn’t always signal to my reader that something was about to change. Choppy, bumpy, and confusing were some hallmarks of my early works.

After learning about the importance of transitions, I tried to plan ahead and use transitions to make my writing clear, concise, and understandable. 

 

Just as smooth transitions in writing can help a reader find his way, planning ahead for changes in life is also critical. The past summer has been especially hectic and filled with some significant transitions in my little world.

Earlier this summer, my granddaughter enrolled in an online college course, which required dozens of writing assignments with short deadlines on her part and editing assistance on mine, also with short deadlines. While successfully completing her intensive course, she and I accomplished another important feat. We assisted family members in pulling off a surprise 50th anniversary party for one of my sisters. Also a success!

In the midst of that whirlwind of activity, everyone in our house pitched in for her big move back to her junior year at Mizzou, and her first apartment. Translation: hours of shopping online and numerous trips to several stores, along with packing and repacking and loading two vehicles.

 

During the move, her brother was a huge help. Not only did he help my husband load up her car and his own SUV and do the heavy lifting by carrying her belongings up two flights of stairs, he also put together her desk and chair.

As my grandson’s summer vacation came to an end, he got ready for his junior year in high school. He’s an easy shopper; we were in and out of the mall in less than an hour, and his entire back-to-school wardrobe cost about the same as his sister’s new comforter set.

The afternoon of his first day at school, we received a call from his guidance counselor that he had been accepted into a local tech school program.

 

That brought about a major change to his schedule.

 

Now, he attends morning classes at high school. Then, after a quick lunch break, he rides the bus with several of his friends to the tech school, where he will learn a skilled trade. He loves the outdoors and working with his hands, so he is excited about this opportunity to do something he enjoys that will also provide a promising future.

Transitions -- in writing and in life -- are not always easy, but they can help pave the way to smooth beginnings and happy endings.  

2015 Tuscany Prize Short Story Finalists and Notable Entries Announced

Earlier today I was surprised and thrilled when I received  an e-mail from the Tuscany Prize Committee notifying me that my short story, "The Judas Goat," has been selected as a top-20 finalists for the 2015 Tuscany Prize for Short Story.

According to the e-mail, the prize committee will select ten stories from the twenty finalists. The top ten will receive cash awards and their stories be published in an anthology from Tuscany Press.

Thanks to All Saints Catholic Writers and members of Coffee and Critique, who read an early draft of the story and offered comments and suggestions.

Even if my story doesn't make the top ten, it's an honor to be among the finalists.